Carre blanc

A prominent film website describes the premise of "Carre blanc" thus: "In the future, society's weak are killed and used for meat." This is either one helluva false assumption, or it's symptomatic of writer-director Jean-Baptiste Leonetti's excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen.

With:
With: Sami Bouajila, Julie Gayet, Jean-Pierre Andreani, Carlos Leal, Dominique Paturel, Fejria Deliba, Valerie Bodson, Viviana Aliberti, Majid Hives, Adele Exarchopoulos, Nathalie Becue Prader. (French dialogue)

A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian sci-fi a la “1984” and “THX-1138,” pic epitomizes the carefully thought-out aesthetic package with almost zero interest in narrative and audience engagement. Adventurous genre fans will discover it via disc or download; a few will be rapt, many bored.

As children, Philippe (Sami Bouajila) and Marie (Julie Gayet) met when she saved him from committing suicide as his mother had. Two decades later, he’s become the perfect managerial tool of an all-pervasive corporation, subjecting subordinates to psychologically and/or physically harmful tests they can’t possibly pass, while she laments their childlessness and his obedience to the devouring machine. An initially striking, obtuse objet d’art, “Carre Blanc” soon grows turgid as one realizes the precise, sterile visual and ominous audio tactics are all that is going to “happen.”

Carre blanc

France-Luxembourg-Belgium-Switzerland

Production: A Solair Films production in association with Tarantula. (International sales: Coach 14, Paris.) Produced by Benjamin Mamou, Jean-Baptiste Leonetti. Executive producer, Camille Havard Bourdon. Co-producers, Joseph Rouschop, Xavier Ruiz, Alexander Rodnyansky. Directed, written by Jean-Baptiste Leonetti.

Crew: Camera (color, HD), David Nissen; editors, Alex Rodriguez, Eric Jacquemin; music, Evgueni Galperine; production designers, Marie Pierre Durand, Noelle Van Parijs. Reviewed at Toronto Film Festival (Vanguard), Sept. 14, 2011. Running time: 80 MIN.

With: With: Sami Bouajila, Julie Gayet, Jean-Pierre Andreani, Carlos Leal, Dominique Paturel, Fejria Deliba, Valerie Bodson, Viviana Aliberti, Majid Hives, Adele Exarchopoulos, Nathalie Becue Prader. (French dialogue)

More Film

  • William Friedkin’s ‘The Devil and Father

    William Friedkin's Exorcism Documentary 'The Devil and Father Amorth' Acquired by Orchard

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • The Mummy

    U.S. Movie Ticket Sales Plunged 6% in 2017, Thanks to Lousy Summer

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • Lea Thompson's 'Year of Spectacular Men'

    Lea Thompson's Directorial Debut 'Year of Spectacular Men' Acquired by MarVista Entertainment

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • santa barbara film festival arlington theater

    Santa Barbara Film Festival to Open as Planned in Wake of Montecito Mudslides

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • Ella Rumpf Avez Brothers

    Variety Unveils 10 Europeans to Watch for 2018

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • Aaron Hernandez

    James Patterson's Aaron Hernandez Book in the Works as a Movie

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • SAG Awards Preview 2018

    SAG Awards Predictions 2018: Who Will Win?

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

More From Our Brands

Access exclusive content