You will be redirected back to your article in seconds

Carre blanc

A prominent film website describes the premise of "Carre blanc" thus: "In the future, society's weak are killed and used for meat." This is either one helluva false assumption, or it's symptomatic of writer-director Jean-Baptiste Leonetti's excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen.

With:
With: Sami Bouajila, Julie Gayet, Jean-Pierre Andreani, Carlos Leal, Dominique Paturel, Fejria Deliba, Valerie Bodson, Viviana Aliberti, Majid Hives, Adele Exarchopoulos, Nathalie Becue Prader. (French dialogue)

A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian sci-fi a la “1984” and “THX-1138,” pic epitomizes the carefully thought-out aesthetic package with almost zero interest in narrative and audience engagement. Adventurous genre fans will discover it via disc or download; a few will be rapt, many bored.

As children, Philippe (Sami Bouajila) and Marie (Julie Gayet) met when she saved him from committing suicide as his mother had. Two decades later, he’s become the perfect managerial tool of an all-pervasive corporation, subjecting subordinates to psychologically and/or physically harmful tests they can’t possibly pass, while she laments their childlessness and his obedience to the devouring machine. An initially striking, obtuse objet d’art, “Carre Blanc” soon grows turgid as one realizes the precise, sterile visual and ominous audio tactics are all that is going to “happen.”

Carre blanc

France-Luxembourg-Belgium-Switzerland

Production: A Solair Films production in association with Tarantula. (International sales: Coach 14, Paris.) Produced by Benjamin Mamou, Jean-Baptiste Leonetti. Executive producer, Camille Havard Bourdon. Co-producers, Joseph Rouschop, Xavier Ruiz, Alexander Rodnyansky. Directed, written by Jean-Baptiste Leonetti.

Crew: Camera (color, HD), David Nissen; editors, Alex Rodriguez, Eric Jacquemin; music, Evgueni Galperine; production designers, Marie Pierre Durand, Noelle Van Parijs. Reviewed at Toronto Film Festival (Vanguard), Sept. 14, 2011. Running time: 80 MIN.

With: With: Sami Bouajila, Julie Gayet, Jean-Pierre Andreani, Carlos Leal, Dominique Paturel, Fejria Deliba, Valerie Bodson, Viviana Aliberti, Majid Hives, Adele Exarchopoulos, Nathalie Becue Prader. (French dialogue)

More Film

  • The Rock Rampage

    China Box Office: 'Rampage' Wins Quiet Weekend

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • British Actor and Model Alex Pettyfer

    Alex Pettyfer Opens Up About Celebrity and Directing His Sexy Drama 'Back Roads'

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • Zoe Ewan McGregor

    Tribeca Film Review: 'Zoe'

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • James Cameron Pandora World of Avatar

    James Cameron Talks Plans for Five 'Avatar' Films & More 'Terminator'

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • Rampage

    Dwayne Johnson's 'Rampage' Continues to Roar Overseas

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • No Merchandising. Editorial Use Only. No

    Box Office: 'A Quiet Place' Back on Top, 'Super Troopers 2' Smokes Projections

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

  • 'The Night Eats the World' Review

    Tribeca Film Review: 'The Night Eats the World'

    A prominent film website describes the premise of “Carre blanc” thus: “In the future, society’s weak are killed and used for meat.” This is either one helluva false assumption, or it’s symptomatic of writer-director Jean-Baptiste Leonetti’s excessively cryptic debut feature, in that such a major conceptual point is barely even suggested onscreen. Bleak, minimalist dystopian […]

More From Our Brands

Access exclusive content