Review: ‘Third Star’

A male weepie that means well but tries too hard.

Three young men accompany a fourth who’s dying of cancer to the Welsh coast in male weepie “Third Star,” a feature debut for acclaimed shorts helmer Hattie Dalton that means well but tries too hard. Lushly lensed but marred by hammy perfs, unconvincing dialogue and trite dramatic shape, this tale of one last boys’ own adventure won’t do much more than twinkle dimly on the distribution circuit. Despite the paucity of women onscreen, pic might play better to femme auds, especially in ancillary.

Only 29 when he’s diagnosed with terminal cancer, aspiring writer James (Benedict Cumberbatch) hopes to see a favorite strip of coastline, Barafundle Bay, one last time. He invites his three closest friends to join him on the journey: recently laid-off executive Davy (Tom Burke), TV cameraman Bill (Adam Robertson) and financial whiz kid Miles (JJ Feild). Because the site they’re headed to is impossible to reach by car, the four travel over land with a sort of souped-up wheelchair-cum-rickshaw, big enough to carry James, their camping gear and food.

Although the men encounter a few eccentric locals along the way (most memorably Hugh Bonneville as a loopy beachcomber and Eros Vlahos, from “Nanny McPhee and the Big Bang,” as a wicked urchin), pic is essentially a four-hander. At first, it’s all jokes and nostalgic recollections, but James insists on getting a few truths off his chest, much to the others’ initial discomfort. Miles’ sarcastic complaint — “This walk has been like a trip with a sick, white Oprah” — would rep one of pic’s best lines, if it weren’t for the fact that it sounds too much like a scripted zinger.

Indeed, most of pic’s problems originate with the overdeveloped screenplay by Vaughan Sivell; one can almost feel the scribe’s hand at work when it’s revealed that one character is in love with another’s sister in order to generate a bit of middle-act drama.

The four up-and-coming central thesps struggle hard to make the material work, but Dalton’s direction isn’t up to the challenges of reining them in when needed or coaxing more naturalistic delivery, and the results are a bit shouty and histrionic. Film reps a particularly wasted opportunity to launch Cumberbatch, so good as a supporting baddie in “Starter for 10” and “Atonement,” as a male lead. It doesn’t help that he looks a little too robust for someone on the verge of death, and a line or two explaining why he still has a lustrous head of hair (didn’t he have any chemotherapy?) would not have gone amiss.

Tech credits are pro, but special mention is due lenser Carlos Catalan for his work here; given how fine his work also is in Paul Andrew Williams “Cherry Tree Lane,” Catalan was arguably the Edinburgh Film Festival’s MVP.

Third Star

U.K.

Production

A Western Edge Pictures production in association with Memory Box Films, the Film Agency for Wales, Matador Pictures, Cinema One, Regent Capital, BBC Cymru Wales. (International sales: The Independent Film Co., London.) Produced by Vaughan Sivell, Kelly Broad. Executive producers, Margaret Matheson, Nigel Thomas, Pauline Burt, Kate Crowther, Charlotte Walls, Paul Higgins, Bethan Jones. Directed by Hattie Dalton. Screenplay, Vaughan Sivell.

Crew

Camera (color, 16-to-35mm), Carlos Catalan; underwater camera, Mark Silk; editor, Peter Christelis; music, Stephen Hilton; production designer, Richard Campling; art director, Johnny Campling; costume designer, Marianne Agertoft; sound, Tim White; sound designer, Graham Headicar, Martin Jensen; supervising sound editor, Graham Headicar; re-recording mixer, Martin Jensen; visual effects supervisor, Marc Knapton; visual effects, the Brewery; stunt coordinator, Jude Poyer; line producer, Kate Dain; assistant director, Matthew Hanson; second unit director, Ben Unwin; second unit camera, Oystein Essen Lundstrom, Bjorn Stale Bratberg; casting, Celestia Fox, Cathy Willis. Reviewed at Edinburgh Film Festival (closer), June 24, 2010. Running time: 92 MIN.

With

Benedict Cumberbatch, Tom Burke, JJ Feild, Adam Robertson, Hugh Bonneville, Karl Johnson, Nia Roberts, Eros Vlahos.

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading