Gytis Luksas' fine adaptation of Viktoras Radzevicius' 2003 novel merits attention from programmers and niche buyers.
It’s a compliment to say the Lithuanian period drama “Vortex” might be mistaken for a Soviet-bloc feature of 40-50 years ago — its austere black-and-white beauty, deliberate pace and tender solemnity are of a piece with works from a great period in world cinema. The difference is that during the 1960s, such exercises stood some chance of offshore theatrical exposure, while now they’re strictly fest fare — and not even fashionably so. Nevertheless, Gytis Luksas’ fine adaptation of Viktoras Radzevicius’ 2003 novel merits attention from programmers and niche buyers.
His father killed returning from WWI, and a teenage best friend drowned in another accident, Juzik (Giedrius Kiela) nonetheless reaches adulthood with his country innocence and good faith intact. After military service, he works in a corrupt quarry where he becomes involved with two self-destructive women: boozing, promiscuous Klara (Jevgenija Varencia); and insecure, much-victimized Maska (Oksana Borbat). Periodically, Juzik returns home to visit his lonely, aging mother (Jurate Onaityte). Structured in chapters, the tale eventually plods a bit, but sports a gentle gravity that’s winning, not least in Viktoras Radzevicius’ luminous lensing. The pic’s thesping won three Silver Crane awards in May.