A grimly repetitive patience-stretcher that's audacious in its intentions but merely numbing as an experience.
“I Came From Busan” opens with a woman screaming in the agony of childbirth. From there, it proceeds to trace the bleakness of her alienated existence, unsullied by anything resembling plot or characterization, making for a grimly repetitive patience-stretcher that’s audacious in its intentions but merely numbing as an experience. Fests familiar with helmer Jeon Soo-il’s previous “With a Girl of Black Soil” could take a look, but it might have been better all around if “Busan” had stayed at home.Following the birth, In-hwa (Park Ha-seon) hands over her baby for adoption. She unsmilingly wanders around the port area of Busan, hanging out with a friend, Sang-mi (Tae-jung Kim), to whom she barely speaks, and engaging in a relationship of gazes with a young boy. Everywhere there is social unrest, violence and pain, which the helmer, like In-hwa, observes without involvement. Then In-hwa decides she wants the baby back. There are several striking images, some evocative (a silent karaoke shot through a window stands out), but all overstay their welcome. In the final scene, things teeter over into the risible. Grainy lensing adds to the general despair.