You will be redirected back to your article in seconds

Flashpoint

Looking to the Great White North for cop drama while its domestic mainstays take a breather, CBS introduces "Flashpoint," a pretty nondescript hour that -- much like the net's "The Unit" -- attempts to straddle the line between gung ho/Spartan and soft/mushy.

With:
Sgt. Gregory Parker - Enrico Colantoni Ed Lane - Hugh Dillon Jules Callaghan - Amy Jo Johnston Sam Braddock - David Paetkau Kevin Wordsworth - Michael Cram Mike Scarlatti - Sergio Di Zio

Looking to the Great White North for cop drama while its domestic mainstays take a breather, CBS introduces “Flashpoint,” a pretty nondescript hour that — much like the net’s “The Unit” — attempts to straddle the line between gung ho/Spartan and soft/mushy. Focusing on one of those elite cop squads (in this case, Toronto’s Strategic Response Unit) that producers love, the series benefits from the sturdy presence of Enrico Colantoni as its easygoing sergeant, but the premiere mostly fizzles with what amounts to a minor hostage situation and its prolonged aftermath.

Opening with the hostage standoff apparently to try to energize the pace, this first outing backs into introducing Sgt. Parker (Colantoni) and his team, to the point where it’s hard to distinguish one from another. Nor does the crisis — essentially a domestic dispute gone bad — have the kind of scope or crackle viewers have come to expect even from failed fare in the hostage-negotiator vein, a la Fox’s short-lived “Standoff.”

Rather, as structured by writers Mark Ellis and Stephanie Morgenstern, the premiere yields plenty of familiar-sounding dialogue (“This guy doesn’t look too happy.” “That guy knew what he was in for. You saved lives.”) that might have more pop if, say, we could rotate the hands of the clock back to before “NYPD Blue” existed. But that’s probably an entirely different show, eh?

Based on this initial encounter, the SRU looks to be a hard-drinking, hard-working bunch — tough guys (and gal, Amy Jo Johnston) who throw back a few cold Molsons at the end of the day but don’t discuss the psychological impact of putting a bullet in somebody’s cranium. There’s even a slightly reckless new hotshot joining the gang, but that only augurs more cop cliches to come.

After several second-banana roles (most recently “Veronica Mars”), Colantoni is a welcome choice for this assignment, and given the financial benefits of the U.S.-Canadian alliance, it’s understandable why CBS would take its own low-risk shot with “Flashpoint” as summer filler. Yet as viewing experiences go, the series itself possesses so little flash, finally, that it’s difficult to see the point.

Flashpoint

CBS, Fri. July 11, 10 p.m.

Production: Filmed in Toronto by Pink Spy Entertainment and Avamar Entertainment in association with CBS Paramount Network Television. Executive producers, Tessie Cameron, Anne Marie La Traverse, Bill Mustos; producer, Tracey Boulton; director, David Frazee; writers, Mark Ellis, Stephanie Morgenstern.

Crew: Camera, Luc Montpellier; production designer, Gregory Keen; editor, Teresa Hannigan; music, Ron Proulx; casting, Marissa Richmond, Melissa Perry, Larkin Mackenzie-Ast cq, Paul Weber. RUNNING TIME: 60 MIN.

Cast: Sgt. Gregory Parker - Enrico Colantoni Ed Lane - Hugh Dillon Jules Callaghan - Amy Jo Johnston Sam Braddock - David Paetkau Kevin Wordsworth - Michael Cram Mike Scarlatti - Sergio Di Zio

More TV

  • Studiocanal Launches TV Production Company in

    Studiocanal Launches TV Production Company in France

    Looking to the Great White North for cop drama while its domestic mainstays take a breather, CBS introduces “Flashpoint,” a pretty nondescript hour that — much like the net’s “The Unit” — attempts to straddle the line between gung ho/Spartan and soft/mushy. Focusing on one of those elite cop squads (in this case, Toronto’s Strategic […]

  • 'Unsolved: The Murders of Tupac and

    'Unsolved' Stars Point Out Racial Injustice in Biggie and Tupac Murder Cases

    Looking to the Great White North for cop drama while its domestic mainstays take a breather, CBS introduces “Flashpoint,” a pretty nondescript hour that — much like the net’s “The Unit” — attempts to straddle the line between gung ho/Spartan and soft/mushy. Focusing on one of those elite cop squads (in this case, Toronto’s Strategic […]

  • ‘Troy: Fall of a City’ Team

    ‘Troy: Fall of a City’ Team Talk Casting and Diversity in the BBC and Netflix Epic

    Looking to the Great White North for cop drama while its domestic mainstays take a breather, CBS introduces “Flashpoint,” a pretty nondescript hour that — much like the net’s “The Unit” — attempts to straddle the line between gung ho/Spartan and soft/mushy. Focusing on one of those elite cop squads (in this case, Toronto’s Strategic […]

  • 'Devious Maids' Star Roselyn Sanchez Joins

    'Devious Maids' Star Roselyn Sanchez Joins ABC Drama Pilot 'Grand Hotel'

    Looking to the Great White North for cop drama while its domestic mainstays take a breather, CBS introduces “Flashpoint,” a pretty nondescript hour that — much like the net’s “The Unit” — attempts to straddle the line between gung ho/Spartan and soft/mushy. Focusing on one of those elite cop squads (in this case, Toronto’s Strategic […]

  • Good Girls review

    TV Review: 'Good Girls' on NBC

    Looking to the Great White North for cop drama while its domestic mainstays take a breather, CBS introduces “Flashpoint,” a pretty nondescript hour that — much like the net’s “The Unit” — attempts to straddle the line between gung ho/Spartan and soft/mushy. Focusing on one of those elite cop squads (in this case, Toronto’s Strategic […]

More From Our Brands

Access exclusive content