You will be redirected back to your article in seconds

Michael Patrick King

Comedy Impact Report '08: Bigscreen Big Shots

Chick flicks aren’t supposed to inspire multiplex mobs. Then again, Warner Bros. and New Line’s “Sex and the City” wasn’t a chick flick. “It is a female blockbuster,” says Michael Patrick King, who wrote and directed. “Maybe the first.”

Based on the uninhibited Emmy-winning HBO series King had helped build from the Candace Bushnell bestseller, the bigscreen “Sex” blew away expectations, as well as “Indiana Jones and the Kingdom of the Crystal Skull,” with a $26.8 million opening day. The debut fueled a $57 million opening weekend, the biggest ever for a romantic comedy and the fifth-biggest for an R-rated movie.

By the end of its theatrical run, “Sex” (which reunited the small-screen cast of Sarah Jessica Parker, Kim Cattrall, Kristin Davis and Cynthia Nixon) had grossed $152.6 million — for a worldwide total of $410 million — and inspired copycat campaigns for “The Women” and “He’s Just Not That Into You,” though those films didn’t have the built-in awareness of a hit show on their side.

“You hadn’t seen (the characters) in four years, so my main thrust as a writer was to give you everything: comedy and tragedy and New York and style,” says King, who is now in talks with Parker for a sequel.

More Scene

  • Made By Google

    Rashida Jones, Jaden Smith and More Stars Party at Made by Google Opening Night

    Chick flicks aren’t supposed to inspire multiplex mobs. Then again, Warner Bros. and New Line’s “Sex and the City” wasn’t a chick flick. “It is a female blockbuster,” says Michael Patrick King, who wrote and directed. “Maybe the first.” Based on the uninhibited Emmy-winning HBO series King had helped build from the Candace Bushnell bestseller, […]

  • 'Boo 2! A Madea Halloween' film

    Tyler Perry Hopes 'Boo 2!' Can Help Bring Laughter to Nation's 'Darkness'

    Chick flicks aren’t supposed to inspire multiplex mobs. Then again, Warner Bros. and New Line’s “Sex and the City” wasn’t a chick flick. “It is a female blockbuster,” says Michael Patrick King, who wrote and directed. “Maybe the first.” Based on the uninhibited Emmy-winning HBO series King had helped build from the Candace Bushnell bestseller, […]

  • 'Geostorm' film premiere

    'Geostorm' Director Hopes Harvey Weinstein Scandal Signals 'Sea Change' for Hollywood

    Chick flicks aren’t supposed to inspire multiplex mobs. Then again, Warner Bros. and New Line’s “Sex and the City” wasn’t a chick flick. “It is a female blockbuster,” says Michael Patrick King, who wrote and directed. “Maybe the first.” Based on the uninhibited Emmy-winning HBO series King had helped build from the Candace Bushnell bestseller, […]

  • ‘Working Above The Line’ panel, The

    Academy's Third Annual Careers in Film Summit Inspires Young Creatives

    Chick flicks aren’t supposed to inspire multiplex mobs. Then again, Warner Bros. and New Line’s “Sex and the City” wasn’t a chick flick. “It is a female blockbuster,” says Michael Patrick King, who wrote and directed. “Maybe the first.” Based on the uninhibited Emmy-winning HBO series King had helped build from the Candace Bushnell bestseller, […]

  • Josh Radnor Ben Lee

    'Saved By a Story' Benefit Raises Money for Charity — and Builds a Community of Storytellers

    Chick flicks aren’t supposed to inspire multiplex mobs. Then again, Warner Bros. and New Line’s “Sex and the City” wasn’t a chick flick. “It is a female blockbuster,” says Michael Patrick King, who wrote and directed. “Maybe the first.” Based on the uninhibited Emmy-winning HBO series King had helped build from the Candace Bushnell bestseller, […]

More From Our Brands

Access exclusive content