You will be redirected back to your article in seconds

The Blood of the Victims

Michele Soavi's "The Blood of the Victims" stands out as a dangerous example of historical manipulation disguised as relativism.

With:
With: Michele Placido, Barbora Bobulova, Alina Nedelea, Valerio Binasco, Massimo Poggio, Stefano Dionisi, Ana Caterina Morariu, Alessandro Preziosi, Luigi Maria Burruano, Tony Sperandeo, Hary Prinz, Daniela Giordano, Lele Vannoli, Vincenzo Crivello, Teresa Dossena.

Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an apologia for the Black Shirts, acknowledging the occasional atrocities of Mussolini’s supporters but presenting the perps as defenders of their country’s honor. Given Italy’s rightward swing, such sentiments will find supporters, especially among TV viewers.

Political leanings are exposed with the choice of opening — newsreels of partisans exacting revenge on collaborators — and closing, which reinforces the deeply suspect argument that the Fascists were true patriots. Detective Francesco (Michele Placido, embarrassing) investigates the murder of prostitute Costantina (Barbora Bobulova, who also plays Costantina’s twin) during the Allied bombing of Rome. Meanwhile, his partisan brother Ettore (Alessandro Preziosi) and Fascist sis Lucia (Alina Nedelea) fight it out, accompanied by legions of stereotypes. Both sides commit crimes, but the script repeatedly offers defenses for Mussolini acolytes. Art direction poorly evokes the period.

The Blood of the Victims

Italy

Production: A 01 Distribution release of a Media One production, in collaboration with Rai Fiction. Produced by Alessandro Fracassi. Directed by Michele Soavi. Screenplay, Massimo Sebastiani, Dardano Sacchetti, based on the novel by Giampaolo Pansa.

Crew: Camera (color), Gianni Mammolotti; editor, Anna Napoli; music, Carlo Siliotto; production designer, Andrea Crisanti; costume designer, Sergio Ballo. Reviewed at Rome Film Festival (Special Events), Oct. 26, 2008. Original title: Il sangue dei vinti. Running time: 113 MIN.

With: With: Michele Placido, Barbora Bobulova, Alina Nedelea, Valerio Binasco, Massimo Poggio, Stefano Dionisi, Ana Caterina Morariu, Alessandro Preziosi, Luigi Maria Burruano, Tony Sperandeo, Hary Prinz, Daniela Giordano, Lele Vannoli, Vincenzo Crivello, Teresa Dossena.

More Film

  • 'Museum' Review: Dazzling, Heartfelt Mexican Heist

    Berlin Film Review: 'Museum'

    Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an […]

  • Touch Me Not

    Berlin Film Review: 'Touch Me Not'

    Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an […]

  • 'Survivors Guide to Prison' Review

    Film Review: 'Survivors Guide to Prison'

    Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an […]

  • 'Mute' Review: The Sound Isn't the

    Film Review: 'Mute'

    Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an […]

  • Taura Stinson, Common, and Diane WarrenVariety

    Common, Pasek and Paul, Diane Warren Reveal Inspiration Behind Oscar-Nominated Songs

    Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an […]

  • Berlin Facetime: Delphine Perrier, Highland Film

    Berlin Facetime: Delphine Perrier, Highland Film Group

    Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an […]

  • AUGGIE (Jacob Tremblay) and JACK WILL

    Lionsgate's 'Wonder' Tops DVD, Blu-ray Disc Sales and Rental Charts

    Obvious TV-level sentimentality, cringe-worthy dialogue and often execrable acting aside, Michele Soavi’s “The Blood of the Victims” stands out as a dangerous example of historical manipulation disguised as relativism. Purporting to be a balanced drama of the bitter fighting between Italy’s partisans and Salo Fascists at the end of WWII, pic reveals itself as an […]

More From Our Brands

Access exclusive content