Review: ‘The Penelopiad’

Canadian author Margaret Atwood's "The Penelopiad" has come home to the National Arts Centre in Ottawa to an enthusiastic response.

After its well-received premiere earlier this summer as the final presentation at the Royal Shakespeare Company’s Swan Theater in Stratford-Upon-Avon before it closes for an extensive renovation, Canadian author Margaret Atwood’s “The Penelopiad” has come home to the National Arts Centre in Ottawa to an even more enthusiastic response. This first-ever co-production between the RSC and the NAC neatly balances input from the two orgs, with casting and creative choices equally shared on both sides.

Atwood’s 2005 novel is inspired by a short passage in Homer’s “The Odyssey,” in which it’s indicated that — upon his return to Ithaca — Odysseus brutally lynched all 12 of his wife Penelope’s faithful maids. Rather than a conventional narrative, Atwood wrote a notebook of impressions and a stylized response from the women; this has proved the material’s strength on stage.

British actor-director Josette Bushell-Mingo (best known for her Olivier-winning turn in “The Lion King”) has used Atwood’s work as the jumping-off point for a series of intensely theatrical vignettes.

The all-female cast explores in depth their feelings of isolation during the men’s decades of absence as well as the unexpected betrayal they underwent when Odysseus and his men finally returned home.

Seemingly every kind of movement, music and inventive staging has been called into play, but, rather than appearing gratuitous, these diverse aspects ultimately fit together with the precision you would expect from an author like Atwood.

RSC veteran Penny Downie anchors the whole event as Penelope, with a virtuoso display of muscular technique coupled with yielding femininity. Her contribution is so pivotal it’s impossible to contemplate anyone else filling the role.

There are also excellent contributions from Kate Hennig, Kelly McIntosh and Mojisola Adebayo, but this is truly an ensemble effort and the overall effect of the group transcends any individual’s work.

There are plans to remount “The Penelopiad” and tour it through Canada. It is only hoped that much of this splendid international cast will be kept together, in particular the magical Downie.

The Penelopiad

National Arts Centre Theater; 897 Seats; C$62.50 ($62) Top


A National Arts Centre English Theater Company presentation in association with the Royal Shakespeare Company of a play in one act by Margaret Atwood, based on her novel. Direction and movement by Josette Bushell-Mingo.


Sets and costumes, Rosa Maggiora; lighting, Bonnie Beecher; original music, Warren Wills; choreography, Veronica Tennant; fight direction, Alison De Burgh. Opened, reviewed Sept. 21, 2007. Running time: 1 HOUR, 45 MIN.


Telemachus - Mojisola Adebayo Melantho - Jade Anouka Selebe - Lisa Karen Cox Antinonus - Derbhle Crotty Naiad, Mother, Suitor - Philippa Domville Penelope - Penny Downie Eurycleia - Kate Hennig Narcissa the Oracle - Pauline Hutton Icarius, Suitor - Corrine Koslo Odysseus - Sarah Malin Laertes, Suitor - Pamela Matthews Helen of Troy, Suitor - Kelly McIntosh Kerthia, Anticleia, Suitor - Jenny Young
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Legit News from Variety