Review: ‘On the Rumba River’

'High Fidelity'

"On the Rumba River" continues the fine roll of French nonfiction pics.

Cleverly and seamlessly blending various styles of documaking, Jacques Sarasin’s “On the Rumba River” continues the fine roll of French nonfiction pics with its look at superstar Congolese singer Wendo Kolosoy aka “Papa Wendo.” Key to the film’s power is its total involvement in Wendo’s musicmaking and its assumption of an intelligent aud that doesn’t require loads of explanatory material about the Congo’s history, politics and culture. Pic will prove a big draw with World and African music crowds as well as doc lovers and those interested in current African affairs, and looks assured of fest and distrib interest worldwide.

In the context of a 2004 reunion of many of Wendo’s fellow musicians dating back to the late 1940s, Sarasin observes Wendo in a fascinating range of settings that suggest the musical and social textures of his work. A studio-lensed session uses close-ups and dramatic lighting to examine Wendo and his players on an assortment of African and Western instruments, while a partially staged sequence at Wendo’s home depicts him as an aging musician with a henpecking wife. Wendo tries to explain to her that it’s hard to record, since many of his longtime fellow musicians are dead.

The devastation in Congo’s capital, Kinshasa — a result of the vast nation’s ongoing civil war — is suggested not only in haunting footage of the shipwrecks clogging the Congo River but in long tracking shots of the miles of unpaved streets where Wendo searches for sax player Joseph Munange in advance of a scheduled reunion gig.

The gig comes off, and for a marvelously sustained sequence, all of the tragedies and cares of Wendo’s beloved Congo fade in the face of his band of artists performing in a courtyard with groups of dancers. Sarasin appears to be a filmmaker who knows when he’s captured lightning in a bottle, and wisely lets Wendo’s group play their magic.

Cinematographer Remon Fromont ably deploys his HD camera to capture Wendo at every prime moment, with pic’s fine images blending with a strong ethnographic sensibility. Music recording is superb, while choice to end on a particularly grim, political note is, in this context, startling but wise.

On the Rumba River



A First Run Features release of a Les Prods. Faire Bleu production. Produced, directed by Jacques Sarasin.


Camera (GTC color), Remon Fromont; editor, Bernard Josse; music, Wendo Kolosoy; sound (DTS), Philippe Lecocq; supervising sound editor, Jean-Daniel Pilllaut. Reviewed at Los Angeles Film Festival (Intl. Showcase), June 30, 2007. Running time: 83 MIN.


Wendo Kolosoy, Mbinga Kabata, Antoine Moundanda, Joseph Munange, Mukubuele Nzoku, Aminata Panda, Alphonse Biolo Batilangandi, Michel Vula Makonzo. (Lingala, French dialogue)
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety