Review: ‘Chuecatown’

Comedies about murder are generally best off avoiding vicious, graphic violence. That laughter buzz-kill is biggest misstep in "Chuecatown."

Comedies about murder are generally best off avoiding vicious, graphic violence. That laughter buzz-kill is biggest misstep in “Chuecatown,” writer-director Juan Flahn’s first feature following various TV projects and a couple bigscreen scripts. Lively quasi-farce about little old ladies being killed for their apartments in Madrid’s gentrifying gay Chueca quarter is best when it focuses on sympathetic male-couple leads, off-putting when it depicts the killer’s too-nasty deeds. Released July to tepid local response, the pic will nonetheless score gay-fest gigs, specialized offshore DVD release, and select Spanish-language territory tube sales.

Elderly women who refuse to sell their longtime flats are offed by realtor Victor (Pablo Puyol), an immaculately turned-out, Patrick Bateman-style yuppie realtor who’ll stop at nothing to make Chueca the exclusive province of upscale youth, beauty, and gym-toned muscle. Police are stumped, including a cranky veteran detective (Rosa Maria Sarda) and her reluctant partner/son (Eduard Soto, gradually coming out as gay in the pic’s most subtly rewarding story arc.)

Suspicion falls on the guileless working-class domestic partnership of driver’s ed instructor Leo (Pepon Nieto) and underemployed, blabbermouth Rey (Carlos Fuentes). They’re audience charmers, even if being out of shape and lacking sophistication make them far from the superficially perfect gay urban stereotype psycho Victor has decided must take over the neighborhood.

But when Rey’s unexpected inheritance of an apartment from a freshly murdered neighbor facilitates the arrival of his mother, Antonia (Concha Velasco), a demanding gorgon who’s already alienated his sisters, Rey’s relationship with Leo is in for a test, even as Antonia becomes a target for the murderous Victor.

Nearly all older women here are shrill harridans, which still doesn’t soften the impact of deaths staged too unpleasantly like the lingering, voyeuristic strangulations in Hitchcock’s “Frenzy.” Puyol is just fine, but his character’s viciousness (poorly explained in a climactic rant) frequently tips this intended lark’s scales toward mean-spiritedness.

Saving grace is the funny/fond relationship between Leo and Rey, knowingly written and delightfully enacted. Other plusses are brisk pacing, colorful design contributions and slick overall packaging. Pic was reviewed on DVD when the 35mm print failed to arrive in time for the San Francisco Latino Fest opening night, necessitating video projection of a screener.

Chuecatown

Spain

Production

A Filmax presentation of a Castelao Prods., Canonigo Films production in association with TVE, Televisio de Catalunya, Ministerio de Cultura ICA, Instituto de Credito Oficial, IFC, Generalitat de Catalunya. Produced by Marvi de Villaneuva, Fernando Monje, Julio Fernandez. Executive producers, Fernandez, de Villaneuva, Monje, Carlos Fernandez. Directed by Juan Flahn. Screenplay, Felix Sabroso, Dunia Ayaso, Flahn, based on the comicbook by Rafael Martinez Castellano.

Crew

Camera (color), Juan Carlos Lausin; editor, Ascen Marchena; music, David San Jose, Joan Crossas; production designer, Antxon Gomez; costume designer, Maria Gill; sound (Dolby Digital), Javier Santen; assistant director, Toni Verdaguer; casting, Sandra Sanchez. Reviewed on DVD, San Francisco, Nov. 9, 2007. (In San Francisco Latino Film Festival.) Running time: 93 MIN.

With

Pablo Puyol, Concha Velasco, Rosa Maria Sarda, Pepon Nieto, Mariola Fuentes, Carlos Fuentes, Eduard Soto, Joan Crosas.
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading