The Last Train

Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga "The Last Train." Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow.

With:
With: Gedeon Burkhard, Lale Yavas, Sibel Kekilli, Brigitte Grothum, Juraj Kukura, Lena Byerling, Roman Roth, Ludwig Blochberger. (German, Polish dialogue).

Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow.

In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. Ex-boxer Henry Neumann (Gedeon Burkhard) quickly aligns with rich kid Albert Rosen (Lale Yavas) to organize a group and thwart baby-faced commanding Nazi sadist Crewes (Ludwig Blochberger). As days pass with no food or water, each principle character is allowed a flashback to happier times. Back in the present, older cabaret singer Rosen (Roman Roth) prepares to sing for a crust of bread: “I’ve played worse audiences,” he scoffs. Genuinely affecting finale plays as if from another movie altogether. With filmmakers as credentialed as helmer Josef Vilsmaier (“Stalingrad,” “Comedian Harmonists”) and producer Artur Brauner (“Hanussen,” “Europa Europa”), pic’s primitive lighting and make-up are a mystery; poorly pancaked thesps on a garishly lit set does not a fitting Holocaust tribute make. Story is credited to “Art Bernd,” pseudonym used by Brauner on similar-themed 2003 misfire “Babij Jar.”

The Last Train

Germany - Czech Republic

Production: A Concorde Film release (in Germany) of a CCC (Central Cinema Company) (Germany), Diamant Films (Czech Republic) production. (International sales: Telepool, Munich.) Produced by Artur Brauner. Executive producer, Ivo Pavelek. Directed by Joseph Vilsmaier, Dana Vavrova. Screenplay, Stephen Glantz, from a story by Art Bernd.

Crew: Camera (color), Vilsmaier; editor, Uli Schoen; music, Chris Heyne; production designers, Jaromir Swarc, Zadenek Lstiburek. Reviewed at Berlin Film Festival (German Cinema), Feb. 10, 2007. Running time: 123 MINS.

With: With: Gedeon Burkhard, Lale Yavas, Sibel Kekilli, Brigitte Grothum, Juraj Kukura, Lena Byerling, Roman Roth, Ludwig Blochberger. (German, Polish dialogue).

More Film

  • American Animals

    Sundance Film Review: 'American Animals'

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • 'The Long Road Home' Review

    Sundance Film Review: 'The Long Dumb Road'

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Lori Mccreary and Gary Lucchesi PGA

    How Harvey Weinstein Drove the PGA to Combat Sexual Harassment on Set

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Allison Shearmur

    Allison Shearmur, 'Rogue One,' 'Hunger Games' Producer, Dies at 54

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Chloe Sevigny Cannes

    Chloe Sevigny Says She Would 'Probably Not' Work With Woody Allen Again (EXCLUSIVE)

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Disney Eyes '28 Days Later' Director

    Disney Eyes Director for Live-Action 'Sword in the Stone' Remake

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

  • Sundance: 30West Buying Neon Following 'I,

    Sundance: 30West to Buy Neon Following 'I, Tonya' Collaboration

    Erratic production values and one-dimensional characterizations severely compromise impact of fitfully affecting Holocaust transport saga “The Last Train.” Pic is thus destined for specialty fests and undiscerning cablers, with solid ancillary classroom use to follow. In 1943, cross-section of Berlin Jews are herded into a cattle car; unbeknownst to them, destination is Auschwitz death camp. […]

More From Our Brands

Access exclusive content