You will be redirected back to your article in seconds

Remake

Helmer Roger Gual's follow-up to "Smoking Room" takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. Pic is unlikely to create the kind of buzz generated by Gual's debut.

With:
With: Juan Diego, Silvia Munt, Eusebio Poncela, Mercedes Moran, Mario Paolucci, Gustavo Salmeron, Alex Brendemuehl, Marta Etura, Juan Navarro.

Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. The expected long night of revelations proves more interesting from an intergenerational standpoint, though uniformly excellent perfs mean thesps get the most out of the material. Still, pic is unlikely to create the kind of buzz generated by Gual’s debut.

Back when dropping out and tuning in seemed like the thing to do, a group of friends started a commune in a rambling farmhouse in the hills of Catalunya. Now more than 30 years later, Max (Mario Paolucci) is the only one left, a dysfunctional relic cut off from the modern world, who calls for a reunion before selling the rundown place.

While Max never adjusted to life post-1969, the four adults who join him for a last farewell are all successful city types. As the weekend unfolds, they’re confronted not only by failed ideals and pink-tinged memories on Super-8, but by their underachieving children, who blame their non-traditional upbringing.

Victor (Juan Navarro) is especially bitter at parents Damian (Juan Diego) and Patricia (Silvia Munt), who are disillusioned and struggling to keep their fragile world together. Chatty, successful Carol (Mercedes Moran) and ex-hubby Ernesto (Gustavo Salmeron) appear more balanced, yet their outward confidence masks insecurities. While sons Alex (Eusebio Poncela) and Fidel (Alex Brendemuehl) aren’t as angry as Victor, they, too, feel unmoored.

This tension between the younger generation’s paralysis and their parents’ earlier experimentation differentiates “Remake” from most other inward-looking dramas of failed ’60s idealism, though the older folks are unquestionably the more interesting personalities.

Victor’s g.f. Laura (Marta Etura, “Your Next Life”) quickly becomes tiresome in her need for the spotlight, and dramatically, there’s no good reason for her inclusion, but on the whole, Gual and fellow scripter Javier Calvo craft intelligent lines for thinking people. However, as the past is dredged up and frailties almost sadistically uncovered, the exchanges become just a series of barbs that fail to produce the kind of cathartic, Albee-esque moment one might rightly expect from such a work.

Acting kudos are shared all around in this true ensemble piece, though Munt’s edgy, unhappy Patricia is a standout in creating a woman of deeply unsettled conflicts. Gual’s recreation of hippie abandon on faded super-8 is picture-perfect without ever seeming staged, and Alberto de Toro’s expert editing seamlessly juggles characters and pitch.

Remake

Spain-Argentina

Production: A Warner Bros. Pictures Intl. Espana release (in Spain) of an Ovideo TV (Spain)/Patagonik Film Group (Argentina) production. (International sales: Ovideo TV, Barcelona.) Produced by Antoni Camin, Pablo Bossi. Executive producers, Quique Camin, Cecilia Bossi. Directed by Roger Gual. Screenplay, Gual, Javier Calvo.

Crew: Camera (color), Cobi Migliora; editor, Alberto de Toro; music, Guillermo Scott Herren; production designer, Stephane Carpinelli; costume designers, Xavier Dufourq, Beatriz Rivas; sound, Eva Valino, Pelayo Gutierrez; associate producers, Michel Ruben, Ariel Saul; casting, Teresa "Xata" Estrada. Reviewed at Mar del Plata Film Festival (competing), March 17, 2006. (Also in Malaga Film Festival.) Running time: 94 MIN.

With: With: Juan Diego, Silvia Munt, Eusebio Poncela, Mercedes Moran, Mario Paolucci, Gustavo Salmeron, Alex Brendemuehl, Marta Etura, Juan Navarro.

More Film

  • Amanda Fuller's Thriller 'Fashionista' Bought by

    Film News Roundup: Amanda Fuller's Thriller 'Fashionista' Bought by Freestyle

    Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. […]

  • Sundance 2018: Where Are the Masterpieces?

    Sundance 2018: Where Are the Masterpieces? Sorry, There Are None (Opinion)

    Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. […]

  • EDITORIAL USE ONLY / NO MERCHANDISINGMandatory

    Bradford Dillman, Star of 'Compulsion,' Dies at 87

    Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. […]

  • Duke Nukem

    John Cena in Talks to Star in 'Duke Nukem' Movie

    Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. […]

  • 'And Breathe Normally' Review: Sundance Film

    Sundance Film Review: 'And Breathe Normally'

    Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. […]

  • Baby Driver

    'Baby Driver,' 'Dunkirk,' 'Shape of Water' Lead Golden Reel Nominations for Sound

    Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. […]

  • The Guilty

    Sundance: Magnolia Buys 'The Guilty'

    Helmer Roger Gual’s follow-up to “Smoking Room” takes a similar, almost surgical pleasure in forcing hypocrisies into the light of day, though a tendency toward stagey soul-searching clouds cinematic judgment. “Remake” is a European “Big Chill” centered around a reunion of ex-hippies, now mostly solidly bourgeois, whose laissez-faire parenting skills come back to nip them. […]

More From Our Brands

Access exclusive content