Review: ‘Gretchen’

Could Gretchen Finkle be the female Napoleon Dynamite? Instead of moon boots and unicorn T-shirts, her high school awkwardness manifests itself through a wardrobe of old-lady sweaters and pink ponytail holders. But "Gretchen," while eccentric in its own right, strikes a more melancholy tone.

This article was updated on June 30, 2006.

Could Gretchen Finkle be the female Napoleon Dynamite? Instead of moon boots and unicorn T-shirts, her high school awkwardness manifests itself through a wardrobe of old-lady sweaters and pink ponytail holders. But “Gretchen,” while eccentric in its own right, strikes a more melancholy tone. Where Dynamite’s oblivious outcast status was a source for offbeat laughs, sad-sack Finkle’s near-clinical lack of self-worth sparks a recognition that borders on depressing. With the right indie distrib, first-time director Steve Collins’ cynical, though not unaffectionate, take on stunted adolescence could find a small but dedicated hipster following, especially after winning the Los Angeles Film Festival’s Target Filmmaker Award.

Less caustic than Todd Solondz and more restrained than Terry Zwigoff, Collins’ uneasy satire serves as a last laugh for those who regard high school as anything but the best years of their lives, reenacted by actors who look a decade older than the characters they play. As Gretchen, newcomer Courtney Davis bridges the age difference by channeling the body language of an insecure wallflower, although her obsessive relationship with rebel Ricky (John Merriman) seems highly unlikely. Tortured pacing takes patience as Collins milks protracted silences for maximum discomfort, but pic looks polished enough for the arthouse circuit.

Gretchen

Production

A Van Hoy/Knudsen and Film Science production. Produced by Jay Van Hoy, Lars Knudsen, Anish Savjani. Executive producer, Rajen Savjani. Directed, written by Steve Collins.

Crew

Camera (color, 16mm-to-HD), P.J. Raval; editor, Mike Shen; music, Graham Reynolds; production designer, Carolyn Merriman; sound, Ben Cheah. Reviewed at Los Angeles Film Festival, June 26, 2006. Running time: 98 MIN.

With

Courtney Davis, John Merriman, Macon Blair, Becky Ann Baker, Stephen Root.
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