Cole Porter

Scribes and songsmiths

From “Let’s Do It” to “You’re the Top,” Porter’s double-entendres have never ceased to tease and delight with their wit and sophistication. The “Red Hot & Blue” LP tribute to Porter in 1990 underlined the timelessness of his music and the ease with which contemporary artists made him their own. Broadway first knew Porter as a librettist with his book for “See America First,” which featured a very young Clifton Webb, in 1916. In the following years, Fred Astaire, Mary Martin and Alfred Drake sang his songs in legit shows, and his “Anything Goes” and “Panama Hattie” were star vehicles for Ethel Merman. The Porter masterwork, “Kiss Me, Kate,” gave Shakespeare a whole different spin. De-Lovely, indeed.

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Scene News from Variety

Loading