We

Oh what a tangled web is woven in ensembler "We," charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the best course.

With:
With: Knut Berger, Oliver Bokern, Patrick Gueldenberg, Brigitte Hobmeier, Lilia Lehner, Lars Loellmann, Jannek Petri, Karina Plachetka, Sebastian Reiss, Ruediger Rudolph, Lila Schmid, Rike Schmidt, Sebastian Songin.

Oh what a tangled web is woven in ensembler “We,” charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the best course.

When twentyish hayseed Florian (Oliver Bokern, looking somewhat like Clay Aiken) arrives in the big bad city of Berlin, he discovers a childhood chum, Pit (Jannek Petri), now bisexual, hardened to the pace and determined to be a successful model. In short order, Florian’s fallen in with a group of varying ambitions. There’s his artist lover Petronella (Lila Schmid), married to aspiring film producer Till (Sebastian Reiss); heartbroken Judith (Karina Plachetka) mopes for bi b.f. Carsten (Knut Bergen), who has taken up with Pit, and so on. Quirkiest perf is turned in by Brigitte Hobmeier (Soren Voigt’s “Identity Kills”) in a role perhaps inspired by flaky, promiscuous Rachel from “Friends.” Helmer Martin Gypkens shows some storytelling confidence. Tech credits are fluid. Pic won the Max Ophuls promotional award in Saarbruecken in January.

We

Germany

Production: A Zauberland release (in Germany) of a Credo Film production, in co-production with the Konrad Wolf Academy of Film & Television, ORB. (International sales: Credo Film, Berlin.) Produced by Susanne Schimk, Joerg Trentmann. Directed, written by Martin Gypkens.

Crew: Camera (color, Super 16mm), Eeva Fleig; editor, Karin Jacobs; music, Christian Conrad; production designer, Joerg Prinz. Reviewed at Karlovy Vary Film Festival (Another View), July 5, 2003. Original title: Wir. Running time: 101 MIN.

With: With: Knut Berger, Oliver Bokern, Patrick Gueldenberg, Brigitte Hobmeier, Lilia Lehner, Lars Loellmann, Jannek Petri, Karina Plachetka, Sebastian Reiss, Ruediger Rudolph, Lila Schmid, Rike Schmidt, Sebastian Songin.

More Film

  • 'Chris The Swiss' Review: Inventive, Dramatic

    Cannes Film Review: 'Chris The Swiss'

    Oh what a tangled web is woven in ensembler “We,” charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the […]

  • 'The State Against Mandela and the

    Cannes Film Review: 'The State Against Mandela and the Others'

    Oh what a tangled web is woven in ensembler “We,” charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the […]

  • tom cavanagh the flash

    Film News Roundup: 'The Flash' Star Tom Cavanagh Joins Family Drama 'Be the Light'

    Oh what a tangled web is woven in ensembler “We,” charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the […]

  • 'Dear Son' Review: Powerful, Affecting Portrait

    Cannes Film Review: 'Dear Son'

    Oh what a tangled web is woven in ensembler “We,” charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the […]

  • The Misandrists Review

    Film Review: 'The Misandrists'

    Oh what a tangled web is woven in ensembler “We,” charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the […]

  • One Day Review

    Cannes Film Review: 'One Day'

    Oh what a tangled web is woven in ensembler “We,” charting lives and loves of young people over a Berlin summer. Pic never lacks for a certain enthusiastic narrative energy, but may be too site specific to travel far theatrically, following domestic bow in January 2004; some tube sales and modest shelf biz seem the […]

More From Our Brands

Access exclusive content