E Minha Cara

Part film diary, part personal travelogue, Thomas Allen Harris' patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. Pic's 56-minute length makes it a natural for public television.

Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white America to black Africa, winding up in Salvador da Bahia, Brazil, whose ethnic heritage lies somewhere between. Winner of the Ecumenical Jury Prize at Berlin, docu has traveled quite a bit itself since its bow at the Toronto fest last year, garnering several awards. Pic’s 56-minute length makes it a natural for public television.

Harris effectively interweaves home movies of his 8th birthday party and his two-year stay in Tanzania into a mesmerizing autobiography. Footage shot off early ’60s television by his grandfather, thrilled to see blacks on the screen, result in kinescopic glimpses of Africa and famous African-Americans, the eerie, blue, flickering images taking on the aura of sacred legacy. In contempo Brazil, black-and-white and color film stock alternate in chronicling Harris’ desperate search for synthesis through the superimposition of ethnicities, religions and faces.

E Minha Cara

Production: A Chimpanzee production. Produced by Thomas Allen Harris. Co-producer Yvonne Welbon. Directed by Thomas Allen Harris.

Crew: Written by Harris, Don Perry. Camera (8mm-to-35mm), Harris, Albert Sidney Johnson Jr.; editors, Emir Lewis, Harris; original score, Vernon Reed; original music, Jason Stanyck; sound design, Margaret Crimmns, Greg Smith; line producer, Sasha Dees; associate producers, Jorge Antonio Batista, Don Perry, Jennifer Alisa Sanders, Leslie Adkins. Reviewed at the Tribeca Film Festival -- Intl. Film Showcase, May 11, 2002. (Also in Berlin, Toronto, Sundance, Denver Pan-African, San Francisco Black film fests.) Running time: 56 MIN.

More Film

  • Machine Gun Kelly'Bright' film premiere, Arrivals,

    Machine Gun Kelly to Play Tommy Lee in Netflix's Motley Crue Biopic 'The Dirt'

    Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white […]

  • Brett Haley Hearts Beat Loud

    Sundance: Brett Haley on 'Hearts Beat Loud' and Making Indie Films for Middle America

    Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white […]

  • Lionsgate Power Rangers

    Lionsgate Stock Jumps on Takeover Speculation

    Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white […]

  • Fifty Shades Freed

    'Fifty Shades Freed' to Tie Up $37 Million in Opening Weekend

    Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white […]

  • Robert Redford Sundance 2018

    Robert Redford Says #MeToo Movement Will Give Women More Opportunities in Hollywood

    Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white […]

  • American Animals

    First Look at Poster for Buzzy Sundance Heist Film 'American Animals' (EXCLUSIVE)

    Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white […]

  • Indie Sales Acquires Claus Drexel’s Political

    Indie Sales Acquires Claus Drexel's Political Documentary 'America' (EXCLUSIVE)

    Part film diary, part personal travelogue, Thomas Allen Harris’ patchwork collage of silent super-8 footage from different times and places in his own life and the life of his ancestors uses music and narration to impose order on its jumbled imagery. A poetic meditation on the contradictions of African-American cultural identity, “Face” travels from white […]

More From Our Brands

Access exclusive content