HOLLYWOOD — Pearson Television is undergoing another shakeup. Concurrent with top-level exec shuffles, Pearson Television Intl., Pearson North America and Pearson Enterprises will for the first time become one division.
Move is the result of a reorganization undertaken by Tony Cohen, who is CEO of Pearson’s Euro-based parent RTL’s Production Businesses and CEO of Pearson Television North America.
A shakeup was considered likely after Cohen was upped to his current post in March, following the departure of Richard Eyre as Pearson’s TV chief exec and as RTL Group’s director of content and strategy.
Cohen has promoted Catherine Mackay from prexy of Pearson TV Enterprises to the new post of CEO of Pearson Television Intl. and Enterprises.
She’ll also take on the role of deputy CEO for Pearson TV’s North American division, which syndicates game shows “Family Feud,” “To Tell the Truth” and the upcoming “Card Sharks.”
Mackay and David Lyle, who is being upped from senior exec VP of Entertainment for Pearson TV North America to the new post of prexy of entertainment for Pearson TV North America, will both report to Cohen.
Mackay is based in New York, while Lyle is based in Santa Monica.
Meanwhile, Brian Harris is stepping down as chief exec of Pearson TV Intl. and Pearson TV North America. And London-based Pearson TV Intl. prexy Joe Abrams is also ankling. Both moves had been anticipated.
Mackay’s unit, Pearson Television Intl. and Enterprises, is a newly formed one that merges international sales, Internet, wireless, broadband and ancillary activities.
Pearson Television is the global production-distribution division of RTL Group, Europe’s largest TV and radio company.
Joe Scotti, Pearson TV North America’s domestic distrib-marketing prexy, is expected to report to Mackay.
Lyle will be responsible for overseeing all Pearson Television entertainment programming in the United States aimed at broadcast and cable nets as well as at the domestic syndie marketplace.
He’ll also continue heading the worldwide development and acquisition operations for Pearson Television.
Lyle said he will be focusing on unscripted fare, such as game, reality, talk, music and variety programs.
“I am simply not looking after scripted at the moment. That has never been my area of major interest,” he said.
However, scripted programming was Harris’ forte.
Scripted programming is also an area that has become increasingly difficult to compete in globally, as the expensive weekly action hour and MOW bizzes have waned.
Pearson itself developed — then killed — at least two action hour projects for the U.S. market this year. “Colosseum” and “Lean Angle” were both brought to NATPE in January, then subsequently pulled from the marketplace.
The shift in the worldwide TV market’s appetite for scripted fare and Lyle’s emphasis on unscripted programs does not bode well for a trio of execs who were upped in October.
Pearson’s news release made no mention of William Lincoln, Matt Loze or Sara Rutenberg, who were upped in October to chief operation officer, prexy of production/drama/longform and prexy of biz development and strategy, respectively.
The execs could be part of a second wave of exec shuffles at the company.