Review: ‘Street Scene’

Thomas Sadoski and Mary Catherine Garrison

Many plays have been eclipsed by subsequent musical adaptations: "Green Grow the Lilacs" was bettered by "Oklahoma!" and "La Dame aux Camelias" by "La Traviata," to name two. Judging by the Williamstown Theater Festival's revival of Elmer Rice's 1929 "Street Scene," it, too, has been rendered passe by Kurt Weill's 1947 operatic version.

Many plays have been eclipsed by subsequent musical adaptations: “Green Grow the Lilacs” was bettered by “Oklahoma!” and “La Dame aux Camelias” by “La Traviata,” to name two. Judging by the Williamstown Theater Festival’s revival of Elmer Rice’s 1929 “Street Scene,” it, too, has been rendered passe by Kurt Weill’s 1947 operatic version.

Today, Rice’s dated tale of New York tenement life and death clearly needs the added dimension of music for its characters and their emotions to bloom. They don’t in a Williamstown production that’s handicapped by a skeletal set lacking in atmosphere, unconvincing direction and an unwieldy cast of more than 60 that’s top-heavy with actors who are seldom believable as 1928 New Yorkers.

The one scene in which the production does blossom comes via the music of poetry: Jewish Sam Kaplan (Thomas Sadoski) quotes Walt Whitman’s “When Lilacs Last in the Dooryard Bloom’d” to gentile Rose Maurrant (Mary Catherine Garrison), the girl he loves.

Bigotry runs rife through the play, a fact of life on New York streets that Rice wasn’t afraid to dramatize. And the accents and period slang he wrote into his script are still evocative. But minus Weill’s wonderful score, the play seems obvious and pedantic, particularly when it telegraphs the murder of Rose’s mother and her lover by Rose’s father.

With its huge cast of characters and early attempt at bringing cinematic sweep to the stage, “Street Scene” is a hard nut to crack in a short rehearsal period. It relies crucially on ensemble playing and veracity of characterizations. They’re largely lacking here.

Rose, the play’s central character, is played too much like a squeaky-voiced, boop-a-doop ’20s flapper. As her mother, Jodie Markell looks too young and lacks personality. Sadoski is just fine as Sam, but it’s impossible to believe in Ileen Getz as his sister, good actress though she is.

So it goes with other characters and performances. The most welcome is that of Rocco Sisto as Italian music professor Fiorentino. He brings the production to life whenever he’s onstage.

Director Michael Greif and designer Allen Moyer have made a grave mistake with the production’s skeletal metal that reveals the interior of the tenement. Presumably the rationale was that it would allow the audience to see what was taking place inside the building. But because the set never suggests a period tenement, much of the flavor of the play is lost.

And when the stage is suddenly suffused with blood-red light and gunshots are amplified to sound like cannons during the murder scene, it’s easy to lose patience with the director.

A well cast and directed revival, rehearsed at sufficient length, might reveal “Street Scene” in a happier light. But given the size of the cast, that’s hard to manage. In theory, we can thank the Williamstown Theater Festival for such a rare revival of this play, but in practice it has little to offer.

Street Scene

Adams Memorial Theater, Williamstown, Mass.; 520 seats; $43 top

Production

A Williamstown Theater Festival presentation of a play by Elmer Rice in two acts. Directed by Michael Greif.

Creative

Set, Allen Moyer; costumes, Ilona Somogyi; lighting, Rui Rita; sound, Kurt B. Kellenberger; stage manager, Kelley Kirkpatrick; production manager, Amanda Mott. Williamstown Theater Festival producer, Michael Ritchie. Opened Aug. 2, 2001. Reviewed Aug. 4. Running time: 2 HOURS, 5 MIN.

Cast

With: Tina Benko, Susan Blommaert, Julie Boyd, Stephen DeRosa, Dashiell Eaves, Ned Eisenberg, Fiona Gallagher, Julian Gamble, Mary Catherine Garrison, Ileen Getz, David Keith, Jodie Markell, Kristine Nielsen, Joel Rooks, Thomas Sadoski, Jimmi Simpson, Rocco Sisto, Brenda Wehle, Christopher Evan Welch, Chandler Williams, Eliza Dewey, Allison Kate Cherkis, Jeff Miller, Sarah Dewey, David Thier, Brooke Hardman, Ashley Williams, Logan Marshall-Green, Donald Giddon, Alex Cranmer, John Forest, Mort Broch, Brian Flanagan, Michael Ouellette, Jenn Harris, Bess Wohl, Nick Baker, David Berman, Bob Bleau, John Dooley, Marc Jablon, Pete Mazzacco Sr., Adam John Meyer, Elin Brown, Thea Henry, Phyllis Johnson, Alexandra Kerry, Sevrin Anne Mason, Emily McNamara, Eris Migliorini, Jeffrey Miller, Ben Schenkkan, William Thompson, James O'Toole, Dennis McLaughlin, Matthew Wilkas, Abby Huston, Meredith Holzman, Sarah Hudnut, Matthew Stadelmann, Kathleen McCafferty.
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Legit News from Variety

Loading