You will be redirected back to your article in seconds

Purple Sunset

A didactic tale of international understanding amidst the dying embers of WWII, "Purple Sunset" throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Quality-wise, writer-director-d.p. Feng Xiaoning's pic falls between "Red River Valley" (1995) and "Lover's Grief Over the Yellow River" (1999).

With:
With: Fu Dalong, Anna Dzenilalova, Chie Mieta, Wang Xuewei.
(Mandarin, Russian & Japanese dialogue.)

A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is destined for Chinese film weeks only. Quality-wise, pic falls between “Red River Valley” (1995) and “Lover’s Grief Over the Yellow River” (1999).

In August ’45, Soviet troops invade northeast China to evict the Japanese and save peasant Yang (Fu Dalong) from a firing squad. He and Nadya (Anna Dzenilalova), paired up in the chaos, stumble across a fleeing teenager, Yoko (Chie Mieta), who first leads them out of the vast forests and then tries to double-cross them. Though well played by the sturdy Dzenilalova, Nadya is basically a bystander to traditional hatreds being worked out between Yang and Yoko: Unsurprisingly, Yoko eventually confesses her debt to China and how much she’s learned from Yang’s humanity. Despite script’s bald nationalism, all three leads acquit themselves creditably, but it’s as a widescreen lenser that Feng shows the most smarts.

Purple Sunset

China

Production: A Shanghai Paradise Film & TV Group Corp./Beijing Forbidden City Film Co. production. (International sales: Beijing Forbidden City, Beijing.) Produced by Yang Yubin, Zhou Puzi. Directed, written by Feng Xiaoning.

Crew: Camera (color, widescreen), Feng; editor, Yan Jianbing; music, Li Ge; art directors, Zhang Heping, Guo Libin. Reviewed at Montreal Film Festival (World Greats), Aug. 31, 2001. Running time: 107 MIN.

With: With: Fu Dalong, Anna Dzenilalova, Chie Mieta, Wang Xuewei.
(Mandarin, Russian & Japanese dialogue.)

More Film

  • Amanda Fuller's Thriller 'Fashionista' Bought by

    Film News Roundup: Amanda Fuller's Thriller 'Fashionista' Bought by Freestyle

    A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is […]

  • Sundance 2018: Where Are the Masterpieces?

    Sundance 2018: Where Are the Masterpieces? Sorry, There Are None (Opinion)

    A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is […]

  • EDITORIAL USE ONLY / NO MERCHANDISINGMandatory

    Bradford Dillman, Star of 'Compulsion,' Dies at 87

    A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is […]

  • Duke Nukem

    John Cena in Talks to Star in 'Duke Nukem' Movie

    A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is […]

  • 'And Breathe Normally' Review: Sundance Film

    Sundance Film Review: 'And Breathe Normally'

    A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is […]

  • Baby Driver

    'Baby Driver,' 'Dunkirk,' 'Shape of Water' Lead Golden Reel Nominations for Sound

    A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is […]

  • The Guilty

    Sundance: Magnolia Buys 'The Guilty'

    A didactic tale of international understanding amidst the dying embers of WWII, “Purple Sunset” throws together a Chinese, a Russian and a Japanese as they feud and bond in the Manchurian taiga. Succulently shot in widescreen but scuppered by the nationalism it purports to abhor, writer-director-d.p. Feng Xiaoning’s final leg of his East-meets-West trilogy is […]

More From Our Brands

Access exclusive content