Gabriela

Despite its allusions to Sophocles, Plato and Shakespeare, "Gabriela" is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one's fiance.

With:
Mike - Jaime P. Gomez Gabriela - Seidy Lopez Pat - Zach Galligan Douglas - Troy Winbushv Grandma Josie - Lupe Ontiveros Ilona - Stacy Haiduk Sofia - Evelina Fernandez Manny - Frank Medrano Head Cop - Sal Lopez Steven - Steve Valentine Cop - Danny De La Paz Julia - Liz Torres Nick - Lamont Bentley

Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on the end credits and a wildly uneven look, tyro writer-director-producer Vincent Jay Miller’s pic shows signs of being fiddled with, but in the end, there’s no music. Being touted as a symbol of L.A. Latino film production, meller is much too weak to draw much of a theatrical crowd, and will soon be looking for dates in deep cable.

Intro quotes from Greek philosophers suggest a smart, informed film about love’s inherent conflicts, yet what unfolds is the softest possible drama, in which psychiatric hospital staffer Mike (Jaime P. Gomez) quickly goes dewy-eyed in the presence of intern therapist Gabriela (Seidy Gomez). Mike appears to be a confirmed bachelor, especially around his jesting co-worker Douglas (Troy Winbush, the latest case of a black male thesp cast as comic relief).

This being your basic soaper, Miller’s script has Gabriela engaged to workaholic lawyer Pat (Zach Galligan), who’s never seen actually working. Pic’s poor attention to character detail is especially notable in Gabriela’s case: While continually complaining that she’s overwhelmed with her hospital caseload and school work, we rarely see her dealing with clients and never see her cracking the books.

Instead, there’s an endless string of gauzy-shot scenes of her hanging out with Mike, supposedly on their lunch breaks. And though she finds herself rather easily straying into the arms of this new handsome and sensitive guy, her excuse is that she and Pat are “more like brother and sister than boyfriend and girlfriend,” even though this is never dramatized.

When Gabriela finally brings Mike back to her place, Pat shows up for the big confrontation. Mike won’t take this, um, lying down, and in a move of unintentionally comic desperation, actually pursues Gabriela to her familial Baja home in order to propose marriage.

Since character motivations couldn’t be murkier — Gabriela claims to be in a traditional arrangement with Pat, yet has been shacking up with him like any modern gal — the performances are a complete botch. Gomez and Lopez are pretty faces for the camera, but they put no brains or passion into their scenes.

Many familiar faces from Latino films and theater, including Lupe Ontiveros, Evelina Fernandez, Sal Lopez and Danny De La Paz, show up for brief, sometimes stereotypical cameos, then vanish. Most disappointingly for a Latino-made pic, depictions of South of the Border life are absurdly cliched, down to the requisite corrupt coppers.

Production values are undermined by an obviously limited budget, and even though an answer print was screened for review, neither costs nor lab work explain the extremely uneven photographic devices employed by lenser Adrian Rudomin. For the umpteenth time, a film score (this one by Craig Stuart Garfinkle) momentarily steals from classic Morricone.

Gabriela

Production: A Power Point Films release of a Grindstone Pictures production. Produced by Vincent Jay Miller. Executive producers, Vincent J. Francillon, Jeff Silberman, Michael A. Miller, Seth Maxwell. Co-producers, Kelly Blair Fitzgerald, Steven Swimmer, John Hoffhines. Directed, written by Vincent Jay Miller.

Crew: Camera (color), Adrian Rudomin; editors, John Hoffhines, Dan Holland, Pond ; music, Craig Stuart Garfinkle; production designers, Anne Cartegnie, Kathy Cook; art director, Michael Scaccia; set decorator, Alodie Lopez; costume designer, Violeta Villacorta; sound, Stan Jaros, Bill Spitzak; supervising sound editor, Gordon D. Hookailo; associate producer, Mel Castano; assistant director, Katerina Vyssouli. Reviewed at Culver Studios, Culver City, March 14, 2001. MPAA Rating: R. Running time: 90 MIN.

With: Mike - Jaime P. Gomez Gabriela - Seidy Lopez Pat - Zach Galligan Douglas - Troy Winbushv Grandma Josie - Lupe Ontiveros Ilona - Stacy Haiduk Sofia - Evelina Fernandez Manny - Frank Medrano Head Cop - Sal Lopez Steven - Steve Valentine Cop - Danny De La Paz Julia - Liz Torres Nick - Lamont Bentley

More Film

  • Molly's Game

    TV and 'Peppa Pig' Boost eOne's Results, but Film Revenue Slumps

    Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on […]

  • Netflix Signs Deal with Producer Kim

    Netflix Signs First-Look Deal With Producer Kim Magnusson for Nordic Movies (EXCLUSIVE)

    Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on […]

  • 'Chris The Swiss' Review: Inventive, Dramatic

    Cannes Film Review: 'Chris The Swiss'

    Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on […]

  • 'The State Against Mandela and the

    Cannes Film Review: 'The State Against Mandela and the Others'

    Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on […]

  • tom cavanagh the flash

    Film News Roundup: 'The Flash' Star Tom Cavanagh Joins Family Drama 'Be the Light'

    Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on […]

  • 'Dear Son' Review: Powerful, Affecting Portrait

    Cannes Film Review: 'Dear Son'

    Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on […]

  • The Misandrists Review

    Film Review: 'The Misandrists'

    Despite its allusions to Sophocles, Plato and Shakespeare, “Gabriela” is pure, undiluted soap. With hardly enough substance to carry a 30-minute TV episode, let alone a feature, this spindly love story has little more on its mind than the stress that comes from cheating on one’s fiance. With three credited editors, a 1998 copyright on […]

More From Our Brands

Access exclusive content