An earnest, seemingly authentic but strangely unengaging account of life in a physical therapy center, “Blue Clear Across to America” follows a diverse group of quadriplegics and paraplegics as they strive to recover. Color scheme and gung-ho lensing establish a world apart from normal life; but what should be poignant, even inspiring, is too often emotionally inert. There are no narrative sparks — just a marginally insightful portrait of a contained community in flux.
Central protag Camille (Samuel Jouy) arrives completely paralyzed and unable to breathe unassisted after a scuba-diving accident. Staff and patients of the under-funded facility tackle daily routines, with emotional adjustments proving as crucial as physical ones. Center has its own hierarchy and cruel humor — even its own violent gang, whose thugs operate from wheelchairs and crutches. Camille recovers use of his upper body and starts a tentative romance with cute Solange (Marion Cotillard),who is initially in a coma. Lone doc is played with harried compassion by Albert Dupontel, the lead in Michel Deville’s recent M.D. pic, “La maladie de Sachs.”