Moby Dick — Rehearsed

The Actor Manager,Having opened its 1999 season with the ersatz, if clever, Victorian melodrama "The Crucifer of Blood," the Berkshire Theater Festival has followed it with more of the same, Orson Welles' overly ripe adaptation of Herman Melville's novel "Moby Dick."

With:
The Actor Manager, Father Mapple, Ahab - David Purdham Young Actor, Ishmael - Tom Story Actor With Newspaper, Stubb - Richard Ruiz A Member of the Company, Flask, Masthead - Elliott Simons A Serious Actor, Starbuck - Casey Biggs A Cynical Actor, Elijah, Carpenter, Daggoo - Todd Anthony-Jackson An Old Pro, Peleg, "Rachel" - William Swan Young Actress, Pip - Careena Melia Stage Manager, Queequeg, "Bachelor" - Mike Dowling Tashtego - Desi Jevon Swaymaster - Oliver Butler Members of the Company, Sailors - J. B. Waterman, Timothy Hampton, Richard Ramsey

Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain Ahab, nor on Broadway in 1962, with Rod Steiger. This time around, the production fails again — not least because it lacks an actor with the rich vocal equipment and commanding presence needed for Ahab.

Melville suffused his novel with sometimes overly eloquent poetry that does not translate well to the stage. The text too often sounds unwieldy in the mouths of the BTF’s hard-working cast.

Welles’ conceit finds a troupe of touring Victorian Shakespeareans — who are rehearsing “King Lear” — switch over to a “dress rehearsal” of an adaptation of “Moby Dick” by the Young Actor (Tom Story) who later plays Ishmael (the production’s opening line is, indeed, “Call me Ishmael”).

As the rehearsal continues, it quickly becomes more than a mere read-through on set designer Rob Odorisio’s detailed set, complete with swaying catwalk, ropes, ladders and trunks. The highly physical staging (well captained by director Eric Hill) makes good use of everything on hand to conjure up Nantucket , the whaling vessel Pequod and the vast ocean.

The period costumes by Murell Horton, Dan Kotlowitz’s often watery lighting and Scott Killian’s evocative music (which includes hymns and sea chanteys sung to the accompaniment of a harmonium) add to the atmosphere.

However, as the Actor Manager, the preacher Father Mapple and Ahab, David Purdham is way out of his depth, vocally and otherwise. He doesn’t make much of an impression, nor does Casey Biggs’ Serious Actor as Starbuck. Story’s Young Actor as Ishmael is OK but without really bringing enough flavor to the character.

Todd Anthony-Jackson, as a Cynical Actor, Elijah, Carpenter and Daggoo, provides the most colorful performance, though sometimes overdone.

The entire cast strives mightily, continually swaying with the movement of the sea, but to little avail. It’s not until the climactic hunting down of the (never seen) great white whale that the production creates any real drama, and by then, it’s too late. The wordy adaptation is largely at fault, though it’s highly questionable whether a successful stage version of “Moby Dick” is possible.

Moby Dick -- Rehearsed

Berkshire Theater Festival, Stockbridge, Mass.; 415 seats; $36 top

Production: A Berkshire Theater Festival presentation of a play in two acts by Orson Welles, adapted from Herman Melville's "Moby Dick." Directed by Eric Hill.

Creative: Set, Rob Odorisio; costumes, Murell Horton; lighting, Dan Kotlowitz; music, Scott Killian; production stage manager, Chris DeCamillis. BTF producing director, Kate Maguire. Opened, reviewed July 14, 1999. Running time: 2 HOURS, 5 MIN.

Cast: The Actor Manager, Father Mapple, Ahab - David Purdham Young Actor, Ishmael - Tom Story Actor With Newspaper, Stubb - Richard Ruiz A Member of the Company, Flask, Masthead - Elliott Simons A Serious Actor, Starbuck - Casey Biggs A Cynical Actor, Elijah, Carpenter, Daggoo - Todd Anthony-Jackson An Old Pro, Peleg, "Rachel" - William Swan Young Actress, Pip - Careena Melia Stage Manager, Queequeg, "Bachelor" - Mike Dowling Tashtego - Desi Jevon Swaymaster - Oliver Butler Members of the Company, Sailors - J. B. Waterman, Timothy Hampton, Richard Ramsey

More Legit

  • RWS Entertainment Group Marquee Holland America

    RWS Entertainment Launches Theatrical Development Department (EXCLUSIVE)

    Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain […]

  • John Lithgow Stories By Heart

    Broadway Review: 'John Lithgow: Stories by Heart'

    Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain […]

  • Lin-Manuel Miranda

    Lin-Manuel Miranda to Receive Monte Cristo Award (EXCLUSIVE)

    Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain […]

  • Allan-Corduner Murder on the Orient Express

    'Crazy,' 'Murder' and More on Playwright Ken Ludwig's Packed Plate

    Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain […]

  • Stephen Adly Guirgis

    Stagecraft Podcast: Stephen Adly Guirgis Talks Writing, Acting and 'The Get Down'

    Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain […]

  • Mankind review

    Off Broadway Review: Speculative Satire 'Mankind'

    Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain […]

  • Farinelli and the King Broadway

    Broadway Box Office: Sales Down 35% in January Chill

    Having opened its 1999 season with the ersatz, if clever, Victorian melodrama “The Crucifer of Blood,” the Berkshire Theater Festival has followed it with more of the same, Orson Welles’ overly ripe adaptation of Herman Melville’s novel “Moby Dick.” “Moby Dick — Rehearsed” did not prove successful in London in 1955, with Welles as Captain […]

More From Our Brands

Access exclusive content