Jack tries coaxing Maya to write an article for the mag to pay off the loan she wants, but Maya won’t even read the razzmatazz mag. Jack, now married to one of Maya’s less-than-bright classmates (she’s his fourth wife) and Levitan pull some fancy footwork to set up the inevitable: Maya goes to work at Blush.
Levitan and the two lead actors, abetted by deft director Philip Charles MacKenzie and a strong cast of supporting players, have delivered a promising first show. The opening sequence at the TV station, where Maya passively takes on a shallow-brained TV newscaster (Emily Procter), is cheering, and Blush’s dry receptionist’s (Donna Ponterotto) put-down of power-mad Finch shows a weather eye for amusing details.
The comic timing by limber Malick and by SNL’s Spade, Segal’s nifty interp of Gallo, the warm self-assurance of San Giacomo and a bright premise concocted by Levitan and director MacKenzie add up to something worth checking out — and something blessed with a future.