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The Harpist

Arather unusual tale about a young man's obsession with an Irish harp star, "The Harpist" is a moderately interesting Gothic thriller that delivers lots of evocative atmosphere and all too few believable plot developments. This German-U.K. co-production initially intrigues with its mix of poetic storytelling, erotic ambience and twisted characters, but the story unravels along the way and will stretch most viewers' patience beyond the breaking point. Pic is not likely to pluck up a storm theatrically in Europe, and its prospects are even less bright in North America. "The Harpist" looks to make most of its music on tube slots internationally. Beginning on an isolated German island in the Baltic Sea, yarn opens with Ferdinand (Christien Anholt) working in a book shop and dreaming of future glory as a novelist. Then one day the young man stumbles across a most unusual sight --- a beautiful woman playing the harp in a huge seashell floating just off the beach. It turns out to be a photo shoot featuring the popular harpist Rebecca (Geraldine O'Rawe). The alluring Celtic temptress immediately has Ferdinand in a trance.

With:
Ferdinand ..... Christien Anholt Henry ..... Stephen McGann Rebecca ..... Geraldine O'Rawe

Ferdinand keeps trying, unsuccessfully, to get close to Rebecca. Then he runs into the mysterious Henry (Stephen McGann), who drives him to Hamburg, where Rebecca is giving a concert. The young admirer ends up in a shabby hotel across from Rebecca’s apartment, which allows him to play voyeur. The ever-creepier Henry keeps showing up, and his presence becomes increasingly unsettling to Ferdinand.

When Rebecca invites Ferdinand home to Dublin for a recording session, he jumps at the chance to spend time with his love and to escape the clutches of Henry, who is determined to insert himself into Ferdinand’s life. In classic thriller fashion, Henry follows the couple to Ireland and his true identity is revealed in a blood-soaked ending.

Director Hansjorg Thurn shows more skill in setting the eerie mood than he does in keeping the thrills coming at a good click, and the script by Thurn and Phil O’Shea is filled with improbable twists, only to revert to hackneyed thriller moves for the finale. The subplot about dark love and subterranean sexual passions is enticing, but the film touches on these notions only briefly before heading straight back to the main action.

Both Anholt and O’Rawe are adequate, but it is McGann who makes the most memorable impression, providing some of pic’s few sparks with his demented presence. Gerry Lively’s lensing is long on ultra-shadowy shots that set the nocturnal mood. All other tech credits are fine.

The Harpist

GERMAN-BRITISH

Production: A Schlemmer Films/Jester Pictures production, with the participation of the Filmstiftung NRW and the Isle of Man Film Commission. (International sales: Vine Intl. Pictures, London.) Produced by Christoph Meyer-Wiel. Executive producer, Alan Latham. Directed by Hansjorg Thurn. Screenplay, Thurn, Phil O'Shea

Crew: . Camera (color), Gerry Lively; editor, David Martin; music, Brian Bennett, Skaila Kanga; costumes, Jane Haagensen; art direction, Roger Cain; production design, Peter Murton; associate producer, Christian Vizi. Reviewed at Cannes Film Festival (market), May 14, 1997. Running time: 93 MIN.

With: Ferdinand ..... Christien Anholt Henry ..... Stephen McGann Rebecca ..... Geraldine O'RaweJohn Kavanagh, B.J. Hogg, Colin Baker.

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