Review: ‘The Finals’

The first in a series of quality low-budget films, "The Finals" is an uneven but sometimes darkly funny tale of happenings in Stockholm in the summer of 1990. Foreign TV outlets might want to take a look at this fast comedy. The low-budget series of so-called "pocket movies" was instigated last year by the Gothenburg Film Festival and Svensk Filmindustri: Plan is for a new picture to be ready each year for the fest. Present item cost no more than $850,000 to shoot, and director Stephan Apelgren, working with speed and efficiency, literally had to use everything he shot.

The first in a series of quality low-budget films, “The Finals” is an uneven but sometimes darkly funny tale of happenings in Stockholm in the summer of 1990. Foreign TV outlets might want to take a look at this fast comedy.

The low-budget series of so-called “pocket movies” was instigated last year by the Gothenburg Film Festival and Svensk Filmindustri: Plan is for a new picture to be ready each year for the fest. Present item cost no more than $850,000 to shoot, and director Stephan Apelgren, working with speed and efficiency, literally had to use everything he shot.

Pic tells the story of penniless slacker Johan (Anders Lundin), who is unable to watch the finals in the soccer world championship when his TV set is impounded. For Johan, this is worse than his being hunted by gangsters who want to collect the money he owes them. Johan has to combine staying alive with trying to watch the games on TV.

Pacing is brisk and characters are oddball and funny, especially Krister Henriksson as a stupid hit man, and Peter Haber as his obscenity-shouting boss. Feature newcomer Lundin is OK in the leading role.

Movie’s low budget tends to show sometimes, and a lengthy episode involving a group of Iraqi citizens due to be smuggled into Sweden is boring. In general, tech credits are fine.

The Finals

Swedish

Production

A Svensk Filmindustri release (in Sweden) of a Svensk Filmindustri production. (International sales: Svensk Filmindustri, Stockholm.) Produced by Waldemar Bergendahl, Malte Forssell. Directed by Stephan Apelgren. Screenplay, Rolf Almstrom, Kristian Petri, Charlie Christensen.

Crew

Camera (color), Anders Bohman; editor, Hakan Carlsson; art direction, Louise Gylling; costume design, Kajsa Hede; sound (Dolby SR), Patrik Stromdahl, Jan Alvermark. Reviewed at Gothenburg Film Festival, Sweden, Feb. 4, 1997. Running time: 82 MIN.

With

Johan ..... Anders Lundin Kenneth ..... .Lennart Jahkel Jonny ..... Krister Henriksson Bernte ..... Peter Kneip Nalle ..... Peter Haber George ..... Sven-Bertil Taube Johanna ..... Melinda Kinnaman Janne ..... Ulf Friberg Annika ..... Tintin Anderzon Leo ..... Kevin Kronow Joyce ..... Zara Zetterkvist
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading