Review: ‘Mad About Iris Blond’

After delivering Italy's top-grossing hit of 1995 with "Honeymoon Trips," Carlo Verdone re-teams with his co-star from that pic, Claudia Gerini, in "Mad About Iris Blond." This story of a love-struck musician seduced and abandoned by the aspiring singer he makes famous is an unsatisfying romantic comedy that attempts to conjure a melancholy strain with the aid of its cold, gray Belgian settings.

After delivering Italy’s top-grossing hit of 1995 with “Honeymoon Trips,” Carlo Verdone re-teams with his co-star from that pic, Claudia Gerini, in “Mad About Iris Blond.” This story of a love-struck musician seduced and abandoned by the aspiring singer he makes famous is an unsatisfying romantic comedy that attempts to conjure a melancholy strain with the aid of its cold, gray Belgian settings. The prolific actor-director’s latest looks unlikely to scale the lofty commercial heights of his recent outings due to its uncertain comic register and implausible plot axis.

Informed by a clairvoyant (Nuccia Fumo) that his romantic future lies with a woman bearing the name of a flower, ’70s singing star-turned-keyboard player Romeo (Verdone) mistakenly accepts his destiny in Marguerite (Andrea Ferreol), a vampy chanteuse he encounters on a cruise ship. Swept back to her native Brussels, he begins providing piano accompaniment while she warbles Jacques Brel tunes in smoky beatnik haunts. But his heart takes wing only when he meets Iris (Gerini), a part-time poet and singer waiting tables in a burger joint.

Extricating himself from Marguerite’s confining embrace, he moves in with Iris and starts grooming her for stardom, adhering to a no-sex pact to avoid complications. But when their act becomes a sensation and she lands a major recording contract from which Romeo is excluded, Iris breaks their agreement to soften the blow.

Harnessing the blossoming and wilting of the romance to Iris’ rise to fame, this Italian spin on “A Star Is Born” faces an insurmountable problem. The songs (written in English) are truly awful, and Gerini, whose character never becomes entirely sympathetic, pitches her musical performance somewhere between Madonna and Juliette Lewis in “Strange Days,” posing no threat to either of them. The idea that she could take Brussels or anyplace else by storm requires a serious suspension of disbelief.

The boyish generosity characteristic of Verdone’s films makes this one go down easy enough despite its sluggish rhythm, but the surprising lack of chemistry between the director and his co-star strips the inevitable dissolution of their relationship of its intended bittersweet pangs.

Laughs are less frequent than usual, with the comedy clicking only during an enjoyable interlude with Iris’ exuberant father (Nello Mascia), who commandeers Romeo for a night out among the Italian expat community of provincial Charleroi. Elsewhere, the setting is unatmospheric, to say the least.

Mad About Iris Blond

Italian

Production

A Cecchi Gori Distribuzione release (in Italy) of a CGG Tiger Cinematografica production. Produced by Vittorio and Rita Cecchi Gori. Directed by Carlo Verdone. Screenplay, Verdone, Francesca Marciano, Pasquale Plastino.

Crew

Camera (Cinecitta color), Danilo Desideri; editor, Antonio Siciliano; music, Lele Marchitelli; art direction, Maurizio Marchitelli; costume design, Tatiana Romanoff; sound (Dolby Digital), Benito Alchimede; assistant directors, Roberto Giandalia, Pasquale Plastino. Reviewed at Roma Cinema, Rome, Dec. 9, 1996. Running time: 110 MIN.

With

Romeo Spera - Carlo Verdone
Iris Blond - Claudia Gerini
Marguerite - Andrea Ferreol
Vincenzo Cecere - Nello Mascia
Fortune teller - Nuccia Fumo
Mino Reitano - Himself
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading