You will be redirected back to your article in seconds

The Pretender

The second of NBC's three new Saturday night hours that embody dark, moody and altogether derivative themes ("Must Glean TV," anyone?), "The Pretender" is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I'm NBC, I tell this guy, "OK, be Bill Cosby. We could really use him. Now become, uh, oh, Tom Hanks. And hey, while you're at it, can you play the entire TV cast of 'MASH'? And then all four Golden Girls?" Once this man, Jarod Russell (Michael T. Weiss), escapes the clutches of his anal-retentive captors, "The Pretender" becomes "Zelig," "The Fugitive," "The Equalizer," "Touched by an Angel," "Quantum Leap" and "The Wild, Wild West" all rolled into one, stirred together with sappy sentiment and an unsettling, off-kilter tone that leaves you feeling as if you've just watched an hour of television through gauze. The Cliff's Notes version of the story is this: Jarod, a genius whose brain is a virtual supercomputer, was stolen from his parents by an insidious, clandestine agency called the Centre, where he was raised and exploited for his ability to, uh, think good. But Jarod finally figures out a way to escape as a grown-up (you'd think if he were so smart he could have concocted a scheme to bolt years before) and decides he must do good deeds for mankind like help disabled boys and bust bad doctors and form emotional bonds with misunderstood, middle-aged Greek women. Chasing our hero to bring his brain back to its rightful prison is Miss Parker (Andrea Parker), who seems particularly angst-ridden because she was never given a proper first name. At least the actress Parker seems to understand that this show needs to be played for laughs; she camps and vamps brilliantly with an icy, sniveling style. You know this woman is the very embodiment of evil because she smokes. There is a certain earnest appeal to the manner in which Weiss goes through the paces of insinuating himself into a variety of play-acting roles. And because NBC sneaked the pilot Thursday night at 10, his character's first leap is naturally into surgical scrubs. He's not a real TV doctor, he just plays one on a TV show. Before the opening hour is done, Jarod will have performed an emergency tracheotomy while passing himself off as a fill-in surgeon, convinced people he was a real airline pilot and taken his first-ever bite of ice cream. Remarkably, he finds that it tastes like chicken. About all this protagonist doesn't do with his amazing mental powers is hatch believable scenarios. Alas, he can blame a pedestrian script from writer-creators Steven Long, Mitchell Van Sickle and Craig W. Van Sickle, and Rick Wallace's awkward direction for that. If Jarod had his druthers, you can bet he'd bag the sappy goodwill stuff and transform himself into the star of an NBC Thursday night comedy instead. Come to think of it, "The Pretender" is, in its own way, a show about nothing, too. Ray Richmond

With:
Cast: Michael T. Weiss, Andrea Parker, Patrick Bauchau, Jeffrey Shepard, Steven Tobolowsky, Peter Michael Goetz, L. Scott Caldwell, Lilyan Chauvin.

The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be Bill Cosby. We could really use him. Now become, uh, oh, Tom Hanks. And hey, while you’re at it, can you play the entire TV cast of ‘MASH’? And then all four Golden Girls?” Once this man, Jarod Russell (Michael T. Weiss), escapes the clutches of his anal-retentive captors, “The Pretender” becomes “Zelig,” “The Fugitive,” “The Equalizer,” “Touched by an Angel,” “Quantum Leap” and “The Wild, Wild West” all rolled into one, stirred together with sappy sentiment and an unsettling, off-kilter tone that leaves you feeling as if you’ve just watched an hour of television through gauze. The Cliff’s Notes version of the story is this: Jarod, a genius whose brain is a virtual supercomputer, was stolen from his parents by an insidious, clandestine agency called the Centre, where he was raised and exploited for his ability to, uh, think good. But Jarod finally figures out a way to escape as a grown-up (you’d think if he were so smart he could have concocted a scheme to bolt years before) and decides he must do good deeds for mankind like help disabled boys and bust bad doctors and form emotional bonds with misunderstood, middle-aged Greek women. Chasing our hero to bring his brain back to its rightful prison is Miss Parker (Andrea Parker), who seems particularly angst-ridden because she was never given a proper first name. At least the actress Parker seems to understand that this show needs to be played for laughs; she camps and vamps brilliantly with an icy, sniveling style. You know this woman is the very embodiment of evil because she smokes. There is a certain earnest appeal to the manner in which Weiss goes through the paces of insinuating himself into a variety of play-acting roles. And because NBC sneaked the pilot Thursday night at 10, his character’s first leap is naturally into surgical scrubs. He’s not a real TV doctor, he just plays one on a TV show. Before the opening hour is done, Jarod will have performed an emergency tracheotomy while passing himself off as a fill-in surgeon, convinced people he was a real airline pilot and taken his first-ever bite of ice cream. Remarkably, he finds that it tastes like chicken. About all this protagonist doesn’t do with his amazing mental powers is hatch believable scenarios. Alas, he can blame a pedestrian script from writer-creators Steven Long, Mitchell Van Sickle and Craig W. Van Sickle, and Rick Wallace’s awkward direction for that. If Jarod had his druthers, you can bet he’d bag the sappy goodwill stuff and transform himself into the star of an NBC Thursday night comedy instead. Come to think of it, “The Pretender” is, in its own way, a show about nothing, too. Ray Richmond

The Pretender

Thurs. (19), 10-11 p.m., NBC

Production: Filmed in Toronto by MTM Enterprises. Executive producers, Steven Long, Mitchell Van Sickle, Craig W. Van Sickle, Rick Wallace; producer, Sascha Schneider; director, Wallace; creator-writers, Long, Mitchell Van Sickle, Craig W. Van Sickle; production coordinator, Sarah James Overton; director of photography, Anthony Janelli; production designer, Robb Wilson King; art director, Lindsey Hermer Bell; set decorator, Caroline Gee; costume designer, Noreen Landry; casting, Sharon Bialy.

Crew: Editor, Lance Luckey; music, John Debney, Charles Sydnor; visual effects, David J. Woods, Greg Williams.

Cast: Cast: Michael T. Weiss, Andrea Parker, Patrick Bauchau, Jeffrey Shepard, Steven Tobolowsky, Peter Michael Goetz, L. Scott Caldwell, Lilyan Chauvin.

More TV

  • Joy Reid Hillary Clinton NYC Power

    Joy Reid's Attorney: FBI Opens Investigation Into Hacking Allegations

    The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be […]

  • Bill CosbyCriminal charges against Bill Cosby

    Bill Cosby Retrial: No Verdict Reached, Jury to Reconvene Thursday

    The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be […]

  • Fox World Cup Broadcast Team Talks

    Fox World Cup Broadcast Team Looks to Put American Stamp on International Affair

    The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be […]

  • Dear White People Netflix

    TV News Roundup: Netflix Releases 'Dear White People' Season 2 Trailer (Watch)

    The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be […]

  • Here and Now Review

    'Here and Now' Canceled by HBO

    The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be […]

  • 'Queer Eye,' 'Jersey Shore' Creators Reveal

    'Queer Eye,' 'Jersey Shore' Creators Reveal How Unscripted Franchises Were Revived

    The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be […]

  • Forest Whitaker at the Photocall For

    Forest Whitaker to Star in Epix Drama Series 'Godfather of Harlem'

    The second of NBC’s three new Saturday night hours that embody dark, moody and altogether derivative themes (“Must Glean TV,” anyone?), “The Pretender” is a fantasy about a man raised in captivity since childhood whose phenomenal cerebral powers enable him to literally become anyone he wants. If I’m NBC, I tell this guy, “OK, be […]

More From Our Brands

Access exclusive content