Salome

Oscar Wilde's 1893 re-telling of John the Baptist's ill-fated dealings with King Herod's stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble.

With:
John the Baptist - Gibson Frazier
Salome - Sydney Bennet
Herod - David Paul Needles
Herodias - Evelyn Celic
Young Syrian Captain - Brian Kite
Naaman - Sammie Wayne IV
Tigellinus - David Al-Attiyah

Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, director Howard Teichman calls “Salome” a morality play about excess and how it corrupts. There is nothing revealing about this play that isn’t presented better in the books of Matthew and Mark, and Teichman has discovered no hidden insights in the text.

John the Baptist (Gibson Frazier) rails against the evil Queen Herodias (Evelyn Celic). Herod (David Paul Needles) lusts after Salome (Sydney Bennet). And Salome wants John’s head on a platter. That’s it.

Despite its shortcomings, the production is at times fun to watch, especially Bennet’s wildly seductive “dance of the seven veils.”

Frazier presents a simple, straightforward John the Baptist. Needles does an admirable job of showing both the lust and the terror of Herod. Unfortunately, Celic is a listless Herodias.

Brian Kite is effective as the fatally infatuated young Syrian captain. And Sammie Wayne IV offers a sinister presence as the chainsaw-wielding executioner.

Kate Rosen’s scenic design is effective in evoking the insecurity of the times. The production also is ably supported by the lighting of Craig Pierce, the original music of Nelly Gimbel and the sound design of Jason Duplissea.

Salome

2nd Stage Theatre, Hollywood; 65 seats; $12.50 top

Production: Buffalo Nights Theatre Co. in association with the 2nd Stage Theatre presents a play in one act by Oscar Wilde, translated by Lord Alfred Douglas; director, Howard Teichman.

Creative: Scenic and costume design, Kate Rosen; lighting, Craig Pierce; sound design, Jason Duplissea; original music, Nelly Gimbel; choreography, Michael Goorjian. Opened May 11, 1995; reviewed May 28; runs through June 18. Running time: 80 min.

Cast: John the Baptist - Gibson Frazier
Salome - Sydney Bennet
Herod - David Paul Needles
Herodias - Evelyn Celic
Young Syrian Captain - Brian Kite
Naaman - Sammie Wayne IV
Tigellinus - David Al-Attiyah
Ensemble: Evan Arnold, Steve Chabon, Kimberley Furst, Renee Ridgeley, Kevin Weisman.

More Legit

  • Baz Luhrmann

    Olympic Figure Skating Revives 'Moulin Rouge' and Baz Luhrmann Is Loving It (EXCLUSIVE)

    Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, […]

  • Jerry Springer The Opera review

    Off Broadway Review: 'Jerry Springer -- The Opera'

    Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, […]

  • Nanette Fabray Broadway?s First Lady, Nanette

    Nanette Fabray, TV Star of the '50s and '60s, Dies at 97

    Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, […]

  • david mamet

    David Mamet Says He Wrote a Play About Harvey Weinstein

    Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, […]

  • Hello Dolly review Bernadette Peters

    Broadway Review: Bernadette Peters in 'Hello, Dolly!'

    Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, […]

  • Music Theatre International

    Drew Cohen Named Global CEO of Music Theatre International

    Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, […]

  • Male Gallery Capsule Placeholder

    Korean Stage Director Lee Yoon-taek Accused of Rape

    Oscar Wilde’s 1893 re-telling of John the Baptist’s ill-fated dealings with King Herod’s stepdaughter Salome is given a lusty but unenlightened outing by the Buffalo Nights Theatre Co. Set in the contemporary carnival atmosphere of the Caribbean, this minor work remains a minor work, despite the energetic prancings of the ensemble. In his program notes, […]

More From Our Brands

Access exclusive content