Review: ‘The Parent ‘Hood’

Filmed in Los Angeles by Highest Common Denominator Prods. and Warner Bros. Television. Executive producers, Andrew Nicholls, Darrell Vickers; co-executive producer, Robert Townsend; producer, Ellen L. Fogle, Pamela Grant; co-producer, Loretha Jones; director, John Bowab; script, Ellen L. Fogle; Moving from features to new Warner Bros. "network," Robert Townsend buys into conventional black sitcom format, exhuming characters and situations dating back to his youth. The vintage elements in "The Parent 'Hood" are more hackneyed than nostalgic; more insulting than uplifting.

Filmed in Los Angeles by Highest Common Denominator Prods. and Warner Bros. Television. Executive producers, Andrew Nicholls, Darrell Vickers; co-executive producer, Robert Townsend; producer, Ellen L. Fogle, Pamela Grant; co-producer, Loretha Jones; director, John Bowab; script, Ellen L. Fogle; Moving from features to new Warner Bros. “network,” Robert Townsend buys into conventional black sitcom format, exhuming characters and situations dating back to his youth. The vintage elements in “The Parent ‘Hood” are more hackneyed than nostalgic; more insulting than uplifting.

Townsend plays Robert Peterson, a college professor and family man. His wife, Jerri (Suzzanne Douglas), is a law student, and they’re the parents of four children: teenagers Michael (Kenny Blank) and Zaria (Reagan Gomez-Preston), and moppets Nicholas (Curtis Williams) and CeCe (Ashli Adams).

The children are more smart-alec than smart, never missing an opportunity for a wisecrack, no matter how inappropriate.

There’s the standard-issue friend/neighbor who drops in through always-unlocked doors (Derek Sawyer) — this is in New York City, mind you — and an older woman, lusty Mrs. Wilcox (Carol Woods), who irritates everybody. It’s the LaWanda Page role from “Sanford and Son,” only less funny.

Debut episode finds Michael and Zaria trying to con their parents into giving them permission to take possession of grandmother’s automobile by asking for something more severe — tattoos and body piercing, respectively — and then bargaining down to the more reasonable car. Robert and Jeru discover the plot and retaliate by taking the kids to a body-piercing and tattoo shop.

Everybody overacts, dialogue in Ellen L. Fogle’s script is either trite or stilted. Says Michael at one point, “My first tentative steps toward manhood are being thwarted.”

Funniest character, again a cartoon, is Mrs. Wilcox’s ex-con son, Wendell (Faizon Love), who is evidently not a regular.

Looking at the bright side, there are only two ways this show can go: up, or out. Townsend, who takes “created by” credit with Andrew Nicholls and Darrell Vickers, is surely capable of better.

The Parent 'Hood

Production

WB, Wed. Jan. 18, 8:30 p.m.

Crew

Camera, Richard Brown; editor, John Neal; art director, David Sackeroff; sound, Peter Damski; music, Christopher Tyng; theme, Monty Seward.30 MIN.

With

Cast: Robert Townsend, Suzzanne Douglas, Kenny Blank, Reagan Gomez-Preston, Curtis Williams, Ashli Adams, Bobby McGee, Carol Woods, Faizon Love, Doug Kruze.
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