You will be redirected back to your article in seconds

Suburbia

In "subUrbia," Eric Bogosian's foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds -- the type who live outside of overly literary plays -- wouldn't be predisposed to such blunt sociojargon, the self-assessment is unfortunate.

With:
Tim - Tim Guinee
Buff - Steve Zahn
Jeff - Josh Hamilton
Norman Chaudry - Firdous E. Bamji
Pakeeza - Samia Shoaib
Bee-Bee - Wendy Hoopes
Sooze - MarthaPlimpton
Pony - Zak Orth
Erica - Babette Renee Props

In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, the line dispatches in a few seconds what Bogosian belabors for the next two hours and 10 minutes.

With some minor changes in costume and slang, “subUrbia” could have been set in just about any of the last three decades, maybe four. But timelessness doesn’t prove a virtue here.

If Bogosian, who may be a bit long in the tooth to serve as spokesman for Generation X anyway, wants to plumb the suburban ennui of kids who cried for Kurt Cobain, he’d be better served by specifics. What makes this particular generation different from the dazed and confused kids of the ’70s, or the East Village punks of the ’80s?

Gathering nightly in the parking lot of a 7-Eleven (perfectly re-created by set designer Derek McLane) are five post-high-schoolers: Tim (Tim Guinee) is a bigoted, alcoholic Air Force dropout; Buff (Steve Zahn), an air-headed party animal given to surfer-dude lingo; Bee-Bee (Wendy Hoopes), a shy, troubled girl; Sooze (Martha Plimpton), an aspiring performance artist longing for escape to New York; and Jeff (Josh Hamilton), Sooze’s boyfriend, who’s smart enough to know he wants more but too cowardly to even dream.

On this night, the gang is given a reprieve from the usual routine of drinking beer, eating pizza and harassing the store’s embattled Indian owners, Norman (Firdous E. Bamji) and his sister Pakeeza (Samia Shoaib).

They’re waiting for Pony (Zak Orth), a high school friend-turned-grunge-rock-star who has promised to drop by the old hangout when his concert tour swings through town.

Pony, in a limo and with beautiful publicist Erica (Babette Renee Props) in tow, follows through on his promise, and the visit stirs up old rivalries, deep resentment, jealousy and frustration. Even those unfamiliar with Bogosian’s work will sense looming violence.

While the author manages a few surprises, he mostly broadcasts his every move. The characters come off as types, forcing the playwright to announce, rather than demonstrate, their dimensions.

Tim, the vile bigot, is “really a nice man” underneath all the “noise,” observes Erica out of nowhere, and the audience will be hard-pressed to concur. Even such ruses as having Tim drop names like Nietzsche and Bukowski are less about character development than the intellectual leanings of the playwright.

Director Robert Falls seems to have instructed his cast to play Big, which leaves even less room for subtlety.

Zahn, virtually re-creating his role from last fall’s “Sophistry,” shamefully overdoes the antic Buff, while Hamilton struggles with a character defined by lack of definition. Plimpton and Bamji come off best, finding infrequent moments of quiet desperation.

For all his vivid dialogue — and “subUrbia” contains much — Bogosian can offer little more than that old whipping boy, the suburbs, as the source of all this aimlessness, the lack of character among these characters. A bit tired? Perhaps, but it’s not an indefensible position.

Still, it does ultimately defeat itself: Many have escaped the ‘burbs and lived to tell the tale, and many have told it much more compellingly than Bogosian does here. When the last light dims over the 7-Eleven, it’s difficult totake the problems of these characters as seriously as they do.

Suburbia

Mitzi E. Newhouse Theater, New York; 290 seats; $37.50 top

Production: A Lincoln Center Theater presentation of a play in two acts by Eric Bogosian; director, Robert Falls.

Creative: Sets, Derek McLane; costumes, Gabriel Berry; lighting, Kenneth Posner; sound, John Gromada; fights, David Leong. Artistic director, Andre Bishop; executive producer, Bernard Gersten. Reviewed May 19, 1994, opened May 22. Running time: 2 hrs., 20 min.

Cast: Tim - Tim Guinee
Buff - Steve Zahn
Jeff - Josh Hamilton
Norman Chaudry - Firdous E. Bamji
Pakeeza - Samia Shoaib
Bee-Bee - Wendy Hoopes
Sooze - MarthaPlimpton
Pony - Zak Orth
Erica - Babette Renee Props

More Legit

  • Wicked

    Broadway Box Office Gets a Little Love From Valentine's, Presidents' Day

    In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, […]

  • Frozen Broadway

    Stagecraft Podcast: Behind the Scenes With Cast, Creators of 'Frozen'

    In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, […]

  • Andrew Garfield Variety Facetime Interview

    Andrew Garfield on Avoiding 'Sickness' of Celebrity Culture

    In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, […]

  • Geoffrey Rush

    Geoffrey Rush Accused of 'Inappropriate Touching,' Court Documents Show

    In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, […]

  • Andrew Garfield Tony Kushner Angels in

    'Angels in America': Inside Broadway's Big Bet, Led by Andrew Garfield With Renewed Relevance

    In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, […]

  • What's Next for 'Natasha, Pierre and

    What's Next for 'Natasha, Pierre and the Great Comet of 1812'

    In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, […]

  • Berlinale --2018-- Special Touch, Paul Thiltges

    Special Touch Studios, Paul Thiltges Set 'Allah Is Not Obliged'

    In “subUrbia,” Eric Bogosian’s foray into twentysomething angst, the closest thing to a hero proclaims his alienation. Even ignoring the jarring fact that truly alienated 20-year-olds — the type who live outside of overly literary plays — wouldn’t be predisposed to such blunt sociojargon, the self-assessment is unfortunate: Coming about 10 minutes into the play, […]

More From Our Brands

Access exclusive content