You will be redirected back to your article in seconds

The Whores

Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that's peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. "The Whores" should turn a trick or two on the odd Euro arthouse beat, but these girls are unlikely to be run off their feet.

Cast:
Orlanda ... Ida Di Benedetto Liuccia Bonuccia ... Guia Jelo Milu ... Lucia Sardo Blu Blu ... Sandra Sindoni Veronica ... Paola Pace Kim ... Alessandra Di Sanzo Maurizio ... Marco Leonardi Distinguished man ... Adriano Chiaramida

Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or two on the odd Euro arthouse beat, but these girls are unlikely to be run off their feet.

The most satisfying narrative track follows the lazy cottage industry of Orlanda (Ida Di Benedetto), a sweetly surly Neapolitan just past her prime. Formerly the self-declared best in the business, she now receives a steady North African clientele at home, who uncomplainingly weather her racist epithets and unceremonious manners.

One of them eventually entertains notions of unpaid romance, stepping in to defend her from a predatory john. His gallantry having taken her by surprise, Di Benedetto does a florid double-take that combines amusement, derision and a sneaking enjoyment of the flattery.

Elsewhere, forays into melodramatic cliches weigh heavily: A streetwalker who’s also a doting mother (Lucia Sardo) has some doozies to deal with, from the proud First Communion scene to the solitary Christmas to the tearful vow to one day carve out a better life.

Similarly obvious is the story of a hostile male hooker (Marco Leonardi), driven to violence by the kindly attentions of his patron (Adriano Chiaramida). Another line, centering on cocky Liuccia (Guia Jelo), starts out promisingly but lumbers into grotesquerie when she gets a beating instead of a fee.

Grimaldi presents prostitution as a workaday, sometimes literally assembly-line job, taking a detached, non-judgmental and naggingly superficial standpoint.

The five women, one man and a transvestite who are seen plying the trade are simplistically shown, largely controlling their own destinies and toiling without undue complaint. The prevailing mood is mostly a quietly humorous one, with a theatrically contrived Jehovah’s Witness encounter the only jarring exception.

Shortcomings are masked chiefly by the subject’s enduring fascination and by the engaging cast of primarily non-pros and legit thesps.

The film also travels an admirable tonal range, shifting constantly from playful through somber, aided by the variety of music sources tapped. Italo pop diva Mina warbles over the catchily promising title sequence.

A further boost comes from Maurizio Calvesi’s agile black-and-white lensing, which offers a stream of low, skewy angles and seductive, unfettered tracking shots. The camera fetishizes both the beauty and ugliness of the whores’ and their customers’ bodies. Sex is frequently depicted here, but in matter-of-fact, transactional terms, its erotic charge cranked low.

The Whores

(LE PUTTANE) (Italian -- Drama -- B&W)

Production: A Marco Risi and Maurizio Tedesco presentation of a Trio Cinema e Televisione production with participation from the Ministry of Tourism & Entertainment. (Intl. sales: Intra Films, Rome.) Produced by Tedesco. Directed, written by Aurelio Grimaldi, based on his book.

Crew: Camera (black & white), Maurizio Calvesi; editor, Mauro Bonanni; art direction, costume design, Claudio Cordaro; sound, Maurizio Argentieri; casting, Nicola Conticello. Reviewed at Cannes Film Festival (competing), May 16, 1994. Running time: 83 min.

With: Orlanda ... Ida Di Benedetto Liuccia Bonuccia ... Guia Jelo Milu ... Lucia Sardo Blu Blu ... Sandra Sindoni Veronica ... Paola Pace Kim ... Alessandra Di Sanzo Maurizio ... Marco Leonardi Distinguished man ... Adriano Chiaramida

More Film

  • 'Dark Is the Night' Review: Toronto

    Toronto Film Review: Dark Is the Night

    Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or […]

  • 'My Generation' Review: A Diverting Documentary

    Film Review: 'My Generation'

    Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or […]

  • Stranger Things Season 2

    Halloween Costume Ideas 2017

    Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or […]

  • No Merchandising. Editorial Use Only. No

    'Thor: Ragnarok' Tracking for $100 Million-Plus Opening in North America

    Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or […]

  • DORA THE EXPLORER

    Film News Roundup: Live-Action 'Dora the Explorer' Moves Forward With Nick Stoller

    Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or […]

  • BMG Production Music

    BMG Production Music Expands with Acquisition of Movie Marketing Mainstay

    Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or […]

  • Rohit Jain Lionsgate

    Lionsgate Taps Rohit Jain as Head of Mumbai Office

    Third feature from Sicilian specialist Aurelio Grimaldi offers a random compendium of prostitution in Palermo that’s peppered with luminous moments and casually acute observations. Ultimately, though, this volley of occasionally overlapping but mostly unrelated flesh-trafficking episodes flails about aimlessly and unevenly in the absence of a unifying thread. “The Whores” should turn a trick or […]

More From Our Brands

Access exclusive content