The Jerky Boys, a comedy inspired by the antics of prank phone-callers Johnny Brennan and Kamal Ahmed, is a lowbrow, high-concept item. Kamal (as he is known professionally) and Brennan more or less play themselves. They are repeatedly described by themselves and others as ‘a couple of lowlifes from Queens’ and do their best to live down to that reputation.
When a former high school classmate (James Lorinz) gets a little too cocky about his low-level job with the local Mafia branch, the Jerky Boys decide to have a little fun. Johnny calls the mob headquarters, passes himself off as a notorious Chicago hood and gets the goodfellas to believe two fugitive hit men will need their hospitality.
Naturally Johnny and Kamal introduce themselves as the hit men. Just as naturally, the mob boss (Alan Arkin) quickly sees through the ruse. Trouble is, a hardboiled cop (Brad Sullivan) isn’t nearly so perceptive. He’s bent on getting the Jerky Boys to lead him to this criminal mastermind.
Drawing heavily from the cast of characters they introduced on their two top-selling comedy albums, Johnny and Kamal pretend to be, among other things, a nightclub magician, a hot-headed gangster, a pair of roadies and, while hiding from Mafia hoods, a couple of bathroom-stall Romeos.
James Melkonian’s direction often seems flat-footed, the tech credits are unremarkable, and the pic on the whole, though just 81 minutes long, seems padded.