Clearly out to tap the same heartline reached by last year’s “Sleepless in Seattle,” TriStar looks to have another summertime hit with this charming romantic comedy — one that’s less gushy than “Sleepless” and will probably be a bit less flashy at the box office. Even so, the “Honeymoon in Vegas” team of director Andrew Bergman and star Nicolas Cage again find themselves holding a winning ticket.
Presented in fairy tale form — down to its awkward, “once upon a time” narrated introduction –“It Could Happen to You” cultivates and actually merits the designation “Capra-esque.”
The simple premise (very loosely inspired by a true story) has affable New York cop Charlie (Cage) finding himself short of cash and promising hard-luck, recently bankrupted waitress Yvonne (Bridget Fonda) that he’ll split anything he wins from the lottery with her in lieu of a tip. The ticket turns out to be a $ 4 million winner and, much to the chagrin of his avaricious wife, Muriel (Rosie Perez), Charlie decides to honor his pledge.
As Muriel proceeds to ostentatiously spend the loot, the bond between Charlie and Yvonne grows, with the two sharing good deeds that range from doling out free subway tokens to entertaining neighborhood kids.
In that respect, Bergman and writer Jane Anderson (who wrote HBO’s satiric “The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom”) wring a nice twist on the premise of “Indecent Proposal”– namely, the power of money not only to bring people together but to drive them apart.
What really make the film, however, are Bergman’s general restraint despite the nature of the material, and the strong central performances. Cage and Fonda are extremely natural as the good-hearted lug and goodbye girl, while the squawking, raging Perez only needs to be fitted for a broomstick. Wendell Pierce also proves particularly likable as Charlie’s partner, a cop with an affinity for the Knicks and carbohydrates.
While less obvious than “Sleepless” in terms of dripping romance, “It Could Happen to You” does emulate some of its formula, from the classic song score (which in-cludes a new rendition of “Always” by Tony Bennett) to Caleb Deschanel’s loving cinematography of the Big Apple.
Pic does have a balancing darker side, however, in Perez’s character and its clever spoofing of tabloid fascination in the central couple, which seems particularly timely in light of recent events. Bergman then really brings home the homage to Capra with the pic’s warm, bordering-on-irresistible finale.
Other tech credits are fine, with particular kudos to Perez’s laugh-out-loud wardrobe. As romances go, it should be noted the title works better than the initial “Cop Tips Waitress $ 2 Million”– a phrase that remains in the form of a front-page headline in the New York Post, which plays a fairly significant supporting role in the movie.