Review: ‘I.D.’

London bobbies come face to face with their own personal hell as they go undercover to root out soccer hooligans in i.d., a raw-steak drama that packs a wallop when it's on form but suffers an intermittent i.d. crisis of its own in the script department when it comes to delivering the psychological goods. Pic reps a promising but flawed feature bow by TV actor-director Philip Davis.

London bobbies come face to face with their own personal hell as they go undercover to root out soccer hooligans in i.d., a raw-steak drama that packs a wallop when it’s on form but suffers an intermittent i.d. crisis of its own in the script department when it comes to delivering the psychological goods. Pic reps a promising but flawed feature bow by TV actor-director Philip Davis.

Central character is John (Reece Dinsdale), an ambitious cop in his late 20s who’s intro’d grilling a suspect in a police interrogation room. Under the leadership of the quiet, taciturn Trevor (Richard Graham), he and two others (Philip Glenister, Perry Fenwick) are assigned to root out the leaders behind a wave of thuggery that’s gripped supporters of (fictional) second-league London team Shadwell Town.

Dramatic focus early settles on John and Trevor, who pose as Shadwell supporters. To discover the top boys, they need to start drinking at the Rock, a tough East End pub.

Under the guise of local workmen, the duo get to know the barmaid, Lynda (Saskia Reeves). But as John gets further into this violent, self-contained universe, he finds it harder and harder to shut down during off-hours.

Dinsdale is excellent in his gradual transformation from clean-cut cop to longhaired troglodyte, and the copious scenes of pub drinking and tribalistic rituals of ‘belonging’ carry an almost tangible threat of violence that’s right on the money. Reeves, looking and sounding uncommonly like a young Billie Whitelaw, is very good in a rare working-class outing.

Pic’s violence is shockingly real as much thanks to the excellent verisimilitude of casting as to the (relatively little) blood on display. Several interiors in the German co-production were shot in Hamburg, to no loss of effect.

I.D.

UK - Germany

Production

Parallax/Metropolis. Director Philip Davis; Producer Sally Hibbin; Screenplay Vincent O'Connell; Camera Thomas Mauch; Editor Inge Behrens; Music Will Gregory; Art Director Max Gottlieb

Crew

(Color) Available on VHS. Extract of a review from 1995. Running time: 108 MIN.

With

Reece Dinsdale Richard Graham Claire Skinner Sean Pertwee Saskia Reeves Warren Clarke
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading