"There Are No Children Here" gives an unflinching look at a world in which children feel they have little control, where death's presence is felt daily and where there is too much month left before the next welfare check arrives. This telefilm provides a gritty and dramatic commentary in its portrayal of life in Chicago's inner-city Henry Horner Homes.
“There Are No Children Here” gives an unflinching look at a world in which children feel they have little control, where death’s presence is felt daily and where there is too much month left before the next welfare check arrives. This telefilm provides a gritty and dramatic commentary in its portrayal of life in Chicago’s inner-city Henry Horner Homes.
Filmed in Chicago by Do We Inc. under Harpo Prods. Inc. and LOMO Prods. Inc. Executive producer, Debra Di Maio; producer, Kate Forte; director, Anita W. Addison; writer, Bobby Smith Jr., based on a book by Alex Kotlowitz; LaJoe Rivers (Oprah Winfrey) is raising her children in essentially a war zone, with her husband (Keith David) living there just enough to get her disqualified for welfare.
Son Durrell (Reliques Devar Webb), trapped in the gansta lifestyle, awaits sentencing in jail for robbery; LaJoe knows it’s going to take a Herculean effort to keep her other boys out of the gangs.
The two young sons still at home — the sometimes defiant 12-year-old Lafayette (Mark Lane) and sweet, sensitive, stuttering Pharoah (Norman Golden II) — are each other’s best friend and protector. But as Lafayette becomes increasingly frustrated by events, he concludes that gangs are the only way.
Director Anita Addison and scripter Bobby Smith Jr. (adapting Alex Kotlowitz’s book) make some good choices as they juxtapose childhood innocence with urban menace, hope against fear, and victory against failure.
Lane balances nascent manliness with the defiance of a preadolescent developing his own sense of self; Golden demonstrates palpable desperation as someone clinging to remnants of childhood.
Winfrey’s fluid portrayal is tempered with intelligence and passion. Though she seems at times uncomfortable in more romantic scenes with David, her performance is generally modulated and strong. Maya Angelou, as the grandmother, infuses her role with an earthy wisdom that crackles with power.