Mo’ Better Blues

Personal rather than social issues come to the fore in Mo' Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn't really fly. More focused on the sexual dilemmas of its main character than on musical themes, pic might well be subtitled He's Gotta Have It.

With:
Denzel Washington Spike Lee Wesley Snipes Joie Lee Cynda Williams Giancarlo Esposito

Personal rather than social issues come to the fore in Mo’ Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn’t really fly. More focused on the sexual dilemmas of its main character than on musical themes, pic might well be subtitled He’s Gotta Have It.

Pic’s fabulous opening sequence, in which the camera does a sensual pan of jazz images -# a horn, a man’s ear, his mouth # raises expectations for a definitive film on jazz and an ambitious step forward for Lee. But the script unfolds to notes from a different scale: basically the same unique but limited range Lee has drawn on before.

Contempo tale stars Denzel Washington as Bleek Gilliam, a self-absorbed New York horn player who leads a jazz quintet on a roll at a trendy Manhattan club called Beneath the Underdog. The diminutive Lee plays Giant (as in ‘giant pain in the ass’, one character observes), Bleek’s ne’er-do-well friend who’s found a precarious niche as the band’s manager. Joie Lee (Lee’s sister) and Cynda Williams play the women who compete for Bleek’s attention. Also overlooked by the self-centered trumpeter is his sax player, Shadow (Wesley Snipes, in a standout perf).

But if Mo’ Better is soft in the center, the characters in and around the band and the nightclub provide winning entertainment.

Mo' Better Blues

Production: 40 Acres & a Mule/Universal. Director Spike Lee; Producer Spike Lee; Screenplay Spike Lee; Camera Ernest Dickerson; Editor Sam Pollard; Music Bill Lee; Art Director Wynn Thomas

Crew: (Color) Available on VHS, DVD. Extract of a review from 1990. Running time: 127 MIN.

With: Denzel Washington Spike Lee Wesley Snipes Joie Lee Cynda Williams Giancarlo Esposito

More Film

  • The Mummy

    U.S. Movie Ticket Sales Plunged 6% in 2017, Thanks to Lousy Summer

    Personal rather than social issues come to the fore in Mo’ Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn’t really fly. More focused on the sexual dilemmas of its main character than on musical themes, pic might well be subtitled He’s Gotta Have It. […]

  • santa barbara film festival arlington theater

    Santa Barbara Film Festival to Open as Planned in Wake of Montecito Mudslides

    Personal rather than social issues come to the fore in Mo’ Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn’t really fly. More focused on the sexual dilemmas of its main character than on musical themes, pic might well be subtitled He’s Gotta Have It. […]

  • Ella Rumpf Avez Brothers

    Variety Unveils 10 Europeans to Watch for 2018

    Personal rather than social issues come to the fore in Mo’ Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn’t really fly. More focused on the sexual dilemmas of its main character than on musical themes, pic might well be subtitled He’s Gotta Have It. […]

  • Aaron Hernandez

    James Patterson's Aaron Hernandez Book in the Works as a Movie

    Personal rather than social issues come to the fore in Mo’ Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn’t really fly. More focused on the sexual dilemmas of its main character than on musical themes, pic might well be subtitled He’s Gotta Have It. […]

  • SAG Awards Preview 2018

    SAG Awards Predictions 2018: Who Will Win?

    Personal rather than social issues come to the fore in Mo’ Better Blues, a Spike Lee personality piece dressed in jazz trappings that puffs itself up like Bird but doesn’t really fly. More focused on the sexual dilemmas of its main character than on musical themes, pic might well be subtitled He’s Gotta Have It. […]

More From Our Brands

Access exclusive content