Chattahoochee

Gary Oldman's bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the 'expectations' of others when he returned from the Korean War to the Deep South as a 'certified hero'.

With:
Gary Oldman Dennis Hopper Frances McDormand Pamela Reed Ned Beatty M. Emmet Walsh

Gary Oldman’s bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the ‘expectations’ of others when he returned from the Korean War to the Deep South as a ‘certified hero’.

In an opening setup that’s frenetically bizarre, Oldman goes berserk one morning, shooting up his small tropical town with a handgun. He is promptly packed off to Chattahoochee, a maximum security hospital for the criminally insane.

The ‘hospital’ is sort of a cross between the Turkish prison barracks of Midnight Express, the hard-time joint in Brubaker and the good ole’ prison farm of Cool Hand Luke. Similarities to those three excellent movies end there.

Thoughtless medical bureaucrat Ned Beatty turns aside all complaints of maltreatment. Oldman’s bunkmates are maniacs, blithering idiots and worldly wise weirdos like Dennis Hopper and M. Emmet Walsh.

Oldman becomes a jailhouse lawyer, discovers the rule of habeas corpus, and with the help of his steadfast sister (Pamela Reed), eventually gets the governor to investigate.

Chattahoochee

Production: Hemdale. Director Mick Jackson; Producer Faye Schwab; Screenplay James Hicks; Camera Andrew Dunn; Editor Don Fairservice; Music John Keane;; Art Director Patrick Tagliaferro

Crew: (Color) Available on VHS, DVD. Extract of a review from 1989. Running time: 103 MIN.

With: Gary Oldman Dennis Hopper Frances McDormand Pamela Reed Ned Beatty M. Emmet Walsh

More Film

  • 'Kangaroo — A Love-Hate Story' Review:

    Film Review: ‘Kangaroo — A Love-Hate Story’

    Gary Oldman’s bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the ‘expectations’ of others when he […]

  • 'Just to Be Sure' Review: Palm

    Palm Springs Film Review: 'Just to be Sure'

    Gary Oldman’s bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the ‘expectations’ of others when he […]

  • DSC04273.jpg

    Film Review: 'Forever My Girl'

    Gary Oldman’s bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the ‘expectations’ of others when he […]

  • BRIGITTE BARDOTBRIGITTE BARDOT IN VIENNA, AUSTRIA

    Brigitte Bardot Slams #MeToo Movement As 'Hypocritical, Ridiculous'

    Gary Oldman’s bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the ‘expectations’ of others when he […]

  • American Genre Film Archive Partnering With

    Film News Roundup: American Genre Film Archive Partners With Shaw Brothers (EXCLUSIVE)

    Gary Oldman’s bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the ‘expectations’ of others when he […]

  • Andrea Riseborough on Pay Equity, Hollywood

    Why Andrea Riseborough Could Be the Breakout Star of Sundance

    Gary Oldman’s bravura performance as a victimized patient in a Deep South prison hospital for the criminally insane, circa 1950s, fails to cure the film of its manifold structural and stylistic ills. The tale allegedly is based on a true story of one Chris Calhoun, who could not handle the ‘expectations’ of others when he […]

More From Our Brands

Access exclusive content