Review: ‘Marusa No Onna’

The taxing woman of the title is that in two respects. First of all, she is a tax inspector, and a most dedicated one, but she is also taxing, since she never tires or lets go of her prey, once she has set her sights on him. The victim, in this case, is a hood operating adult motels and crooked real estate deals.

The taxing woman of the title is that in two respects. First of all, she is a tax inspector, and a most dedicated one, but she is also taxing, since she never tires or lets go of her prey, once she has set her sights on him. The victim, in this case, is a hood operating adult motels and crooked real estate deals.

In the tradition of the American thriller, but far more humorously put, the heroine is single, exclusively dedicated to her job, a tough cookie in remarkably feminine wrapping. Nobuko Miyamoto, who plays the part, happens to be Itami’s wife, and she fits the role to perfection.

Her running duel with Tsutomu Yamazaki, as the limping gangster she chases, holds plenty of twists and surprises, as new plots and tricks for beating the tax rap are introduced and one by one unveiled by the law.

Tighter than his first film, The Funeral, and better constructed than Tampopo, The Taxing Woman drives relentlessly forward, mixing social satire with action and sex, if anything piling it a bit too much for one film, and that in spite of the fact Itami says he used barely one-tenth of the material he collected in his extensive research.

Marusa No Onna

Japan

Production

Itami/New Century. Director Juzo Itami; Producer Yasushi Tamaoki, Seigo Hosogoe; Screenplay Juzo Itami; Camera Yonezo Maeda; Editor Akira Suzuki; Music Toshiyuki Honda; Art Director Shuji Nakamura

Crew

(Color) Available on VHS, DVD. Extract of a review from 1987. Running time: 127 MIN.

With

Nobuko Miyamoto Tsutomu Yamazaki Masahiko Tsugawa Hideo Murato Shuji Otaki Daisuke Yamashita
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading