Review: ‘Flowers in the Attic’

V. C. Andrews novel of incestuous relationships and confined childhood always has been a superb candidate for a film treatment, but director Jeffrey Bloom has taken this narrative and squeezed the life from it. Performances are as stiff and dreary as the attic these children are imprisoned in. The ridiculous ending (different from the book) was one of several shot.

V. C. Andrews novel of incestuous relationships and confined childhood always has been a superb candidate for a film treatment, but director Jeffrey Bloom has taken this narrative and squeezed the life from it. Performances are as stiff and dreary as the attic these children are imprisoned in. The ridiculous ending (different from the book) was one of several shot.

After her husband’s death, Corinne (Victoria Tennant) takes the family – teenagers Chris (Jeb Stuart Adams) and Cathy (Kristy Swanson) and pre-adolescent twins Carrie (Lindsay Parker) and Cory (Ben Ganger) – and becomes golddigger deluxe, moving back to her parents’ house, intent on getting reinstated into her father’s will.

Kids aren’t crazy about the arrangement after meeting their sadistic, bible-toting, taskmaster grandmother (Louise Fletcher, doing a lot with this one-dimensional role) and getting locked into a guest room, where they are informed they must stay until their grandfather dies, so Tennant can win his affections.

Cathy and Chris’ gradual mutual attraction has been excised and is only hinted at here. More problematic is the script, which attributes none of the qualities of teenagers to the teens and portrays the younger children as mindless drones.

Flowers in the Attic

Production

New World/Fries. Director Jeffrey Bloom; Producer Sy Levin, Tom Fries; Screenplay Jeffrey Bloom; Camera Frank Byers, Gil Hubbs; Editor Tom Fries; Music Christopher Young; Art Director John Muto

Crew

(Color) Available on VHS, DVD. Extract of a review from 1987. Running time: 95 MIN.

With

Louise Fletcher Victoria Tennant Kristy Swanson Jeb Stuart Adams Ben Ganger Lindsay Parker
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading