Superman III

Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors.

With:
Christopher Reeve Richard Pryor Robert Vaughn Annette O'Toole Annie Ross Margot Kidder

Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors.

The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to embark on a career as a computer programmer. Robert Vaughn, a crooked megalomaniac intent on taking over the world economy, dispatches Pryor to a small company subsid in Smallville, where he programs a weather satellite to destroy Colombia’s coffee crop (and make a market-cornering killing for Vaughn).

Foiled by Superman (Christopher Reeve), Pryor uses the computer to concoct an imperfect form of Kryptonite – using cigarette tar to round out the formula. The screenplay opts for the novelty of using the Kryptonite to split the Clark Kent/Superman persona into two bodies, good and evil.

Most of the action relies on explosive pyrotechnics and careening stuntpersons. At the romantic level, the film does paint a nice relationship between Reeve (as Kent) and his onetime crush Annette O’Toole.

Superman III

UK

Production: Salkind/ Dovemead. Director Richard Lester; Producer Pierre Spengler; Screenplay David Newman, Leslie Newman; Camera Robert Paynter; Editor John Victor Smith; Music Ken Thorne; Art Director Peter Murton

Crew: (Color) Widescreen. Available on VHS, DVD. Extract of a review from 1983. Running time: 123 MIN.

With: Christopher Reeve Richard Pryor Robert Vaughn Annette O'Toole Annie Ross Margot Kidder

More Film

  • Allison Shearmur

    Allison Shearmur, 'Rogue One,' 'Hunger Games' Producer, Dies at 54

    Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors. The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to […]

  • Chloe Sevigny Cannes

    Chloe Sevigny Says She Would 'Probably Not' Work With Woody Allen Again (EXCLUSIVE)

    Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors. The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to […]

  • Disney Eyes '28 Days Later' Director

    Disney Eyes Director for Live-Action 'Sword in the Stone' Remake

    Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors. The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to […]

  • Sundance: 30West Buying Neon Following 'I,

    Sundance: 30West to Buy Neon Following 'I, Tonya' Collaboration

    Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors. The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to […]

  • SAG-AFTRA Developing Code of Conduct to

    SAG-AFTRA Developing Code of Conduct to Address Sexual Harassment

    Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors. The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to […]

  • Monsters and Men Sundance

    Sundance Film Review: 'Monsters and Men'

    Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors. The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to […]

  • Dorothy Malone dead

    Dorothy Malone, Oscar-Winning Actress in 'Written on the Wind' and 'Peyton Place' Star, Dies at 92

    Superman III emerges as a surprisingly soft-cored disappointment. Putting its emphasis on broad comedy at the expense of ingenious plotting and technical wizardry, it has virtually none of the mythic or cosmic sensibility that marked its predecessors. The film begins with a hilarious pre-credits sequence in which Richard Pryor, an unemployed ‘kitchen technician’, decides to […]

More From Our Brands

Access exclusive content