You will be redirected back to your article in seconds

The Loved One

Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh's scathing 1948 satire of the mortuary business in California.

Cast:
Robert Morse Anjanette Comer Jonathan Winters Rod Steiger James Coburn John Gielgud

Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh’s scathing 1948 satire of the mortuary business in California.

Most of the subtlety of Waugh’s approach is lost in an episodic screenplay bearing only a wavering story line and given often to sight gags.

Story centers around the pomp and ceremony attendant upon the daily operation of a posh mortuary and a climaxing idea (not in the book) by a sanctimonious owner of a Southern California cemetery of orbiting cadavers into space so he can convert to a senior citizens’ paradise for additional profit.

Robert Morse as the poet who falls in love with the lady cosmetician (later promoted to embalmer) while making arrangements for his uncle’s interment, plays it light and airy, like a soul apart. Anjanette Comer, whose life is dedicated to her work and Whispering Glades Memorial Park gives almost ethereal portraiture to her embalmer character.

Jonathan Winters appears in a dual role, shining both as the owner of Whispering Glades and his twin brother, who operates the nearby pet graveyard and is patron of a 13-year-old scientific whiz who invents a rocket capable of projecting bodies into orbit.

The Loved One

Production: M-G-M. Director Tony Richardson; Producer Martin Ransohoff, John Calley, Haskell Wexler; Screenplay Christopher Isherwood, Terry Southern; Camera Haskell Wexler; Editor Antony Gibbs, Hal Ashby, Brian Smedley-Aston; Music John Addison; Art Director Rouben Ter-Arutunian

Crew: (B&W) Available on VHS. Extract of a review from 1965. Running time: 119 MIN.

With: Robert Morse Anjanette Comer Jonathan Winters Rod Steiger James Coburn John Gielgud

More Film

  • ‘Loving Vincent’ Breaks Out in Italy

    ‘Loving Vincent’ Breaks Out in Italy

    Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh’s scathing 1948 satire of the mortuary business in California. Most of the subtlety of Waugh’s approach is lost in an episodic screenplay bearing only a wavering story line and given often to sight gags. Story centers around the pomp and ceremony […]

  • Harry Shearer This is Spinal Tap

    'Spinal Tap' Actors File Amended Complaint, Seek Ability to Reclaim Copyrights

    Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh’s scathing 1948 satire of the mortuary business in California. Most of the subtlety of Waugh’s approach is lost in an episodic screenplay bearing only a wavering story line and given often to sight gags. Story centers around the pomp and ceremony […]

  • Academy Museum Gets Funding From Netflix,

    Academy Museum Gets Funding From Netflix, Charles Roven, Bloomberg Philanthropies

    Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh’s scathing 1948 satire of the mortuary business in California. Most of the subtlety of Waugh’s approach is lost in an episodic screenplay bearing only a wavering story line and given often to sight gags. Story centers around the pomp and ceremony […]

  • No Merchandising. Editorial Use Only. No

    Lumière Festival: Henri-Georges Clouzot, an Appreciation

    Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh’s scathing 1948 satire of the mortuary business in California. Most of the subtlety of Waugh’s approach is lost in an episodic screenplay bearing only a wavering story line and given often to sight gags. Story centers around the pomp and ceremony […]

  • Take My Nose Please

    'Take My Nose...Please!' Comedy Documentary Lands at the Orchard

    Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh’s scathing 1948 satire of the mortuary business in California. Most of the subtlety of Waugh’s approach is lost in an episodic screenplay bearing only a wavering story line and given often to sight gags. Story centers around the pomp and ceremony […]

  • China Regulator Calls Korean Film, TV

    China’s SARFT Head Calls Korean Film, TV Blockade an ‘Emotional Issue’

    Poor taste is prominent in the Terry Southern-Christopher Isherwood script, based on Evelyn Waugh’s scathing 1948 satire of the mortuary business in California. Most of the subtlety of Waugh’s approach is lost in an episodic screenplay bearing only a wavering story line and given often to sight gags. Story centers around the pomp and ceremony […]

More From Our Brands

Access exclusive content