Review: ‘Strangers When We Meet’

A pictorially attractive but dramatically vacuous study of modern-style infidelity, Strangers When We Meet is easy on the eyes but hard on the intellect. A bunch of maladjusted suburbanites are thrown together in Evan Hunter's screenplay (from his novel), and what comes out is an old-fashioned soap opera.

A pictorially attractive but dramatically vacuous study of modern-style infidelity, Strangers When We Meet is easy on the eyes but hard on the intellect. A bunch of maladjusted suburbanites are thrown together in Evan Hunter’s screenplay (from his novel), and what comes out is an old-fashioned soap opera.

Brilliant architect Kirk Douglas is upset because his spouse (Barbara Rush) is overly concerned with balancing the family budget. Meanwhile, housewife Kim Novak is disturbed over being taken for granted by her undersexed mate (John Bryant). Out of this germ of marital instability, a feverishly passionate affair blossoms between Douglas and Novak via a series of trysts. But unstable, sharp-eyed neighbor Walter Matthau, putting two and two together and coming up with an odd number, decides to even things up by getting into the act.

It is a rather pointless, slow-moving story, but it has been brought to the screen with such skill that it charms the spectator into an attitude of relaxed enjoyment, much the same effect as that produced by a casual daydream fantasy. Douglas does well by his role, and Novak brings to hers that cool, style-setting attitude that is her trademark.

Strangers When We Meet

Production

Bryna-Quine/Columbia. Director Richard Quine; Producer Richard Quine; Screenplay Evan Hunter; Camera Charles Lang Jr; Editor Charles Nelson; Music George Duning; Art Director Ross Bellah

Crew

(Color) Widescreen. Available on VHS. Extract of a review from 1960. Running time: 117 MIN.

With

Kirk Douglas Kim Novak Ernie Kovacs Barbara Rush Walter Matthau Virginia Bruce

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