Most striking feature of this production is its extraordinary background of war-ravaged Germany. With a documentary eye, this film etches a powerfully grim picture of life amidst the shambles. It makes awesome and exciting cinema.
Most striking feature of this production is its extraordinary background of war-ravaged Germany. With a documentary eye, this film etches a powerfully grim picture of life amidst the shambles. It makes awesome and exciting cinema.Chief defect of the screenplay [based on a story by Curt Siodmak] is its failure to break away from the formula of anti-Nazi films. The Nazis, now underground, are still the heavies but it’s difficult to get excited about such a group of ragged hoodlums. Their motivation in the pic, moreover, is never explained satisfactorily as they set about kidnapping a prominent German democrat, played by Paul Lukas. Starting out on the Paris-to-Berlin express to an Allied conference on the unification of Germany, Lukas gets waylaid in Frankfurt despite an over-elaborate scheme of guarding him. Symbolizing the Big Four powers, other passengers on the train include an American (Robert Ryan), a Frenchwoman (Merle Oberon), an Englishman (Robert Coote), and a Russian (Roman Toporow) plus a dubious character of unknown nationality (Charles Korvin). Ryan establishes himself as a firstrate actor in this film, demonstrating conclusively that his brilliant performance in Crossfire was no one-shot affair.
RKO. Director Jacques Tourneur; Producer Bert Granet; Screenplay Harold Medford; Camera Lucien Ballard; Editor Sherman Todd; Music Frederick Hollander; Art Director Albert S. D'Agostino, Alfred Herman
(B&W) Available on VHS, DVD. Extract of a review from 1948. Running time: 86 MIN.
Merle Oberon Robert Ryan Charles Korvin Paul Lukas Robert Coote Reinhold Schunzel