Review: ‘The Beginning or the End’

The Beginning or the End tells its portentous tale in broad strokes of masterful scripting and production. Picture tees off with a pseudo news clip, showing the burying of a time capsule, not to be opened until A.D. 2446. In the time capsule is placed a motion picture film which records The Beginning or the End. Thereafter is unfolded the nearly two-hour picture.

The Beginning or the End tells its portentous tale in broad strokes of masterful scripting and production. Picture tees off with a pseudo news clip, showing the burying of a time capsule, not to be opened until A.D. 2446. In the time capsule is placed a motion picture film which records The Beginning or the End. Thereafter is unfolded the nearly two-hour picture.

It brings an appreciation of how science and big business were mobilized by America to achieve the Atomic Bomb even though President Roosevelt was told it would cost a billion dollars and possibly two billion; the mobilization of big business and stout young scientists to work with their more experienced elders; the rallying around Dr. J. Robert Oppenheimer (whom Hume Cronyn expertly impersonates); the questioning by young Tom Drake whether he was doing the right thing.

Brian Donlevy is capital as Gen Groves, eclipsed only by Godfrey Tearle’s extraordinary personation of President Roosevelt.

It’s to the sum credit of everybody concerned that the documentary values are sufficiently there without becoming static.

The Beginning or the End

Production

M-G-M. Director Norman Taurog; Producer Samuel Marx; Screenplay Frank Wead; Camera Ray June; Editor George Boemler; Music Daniele Amfitheatrof; Art Director Cedric Gibbons, Hans Peters

Crew

(B&W) Extract of a review from 1947. Running time: 110 MIN.

With

Brian Donlevy Robert Walker Tom Drake Audrey Totter Hume Cronyn Beverly Tyler

Filed Under:

Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading