Review: ‘Duel in the Sun’

The familiar western formula reaches its highest commercialization in Duel in Sun. It is raw, sex-laden, western pulp fiction, told in 10-20-30 style. The star lineup is impressive. Vastness of the western locale is splendidly displayed in color by mobile cameras. Footage is overwhelmingly expansive, too much so at times considering its length.

The familiar western formula reaches its highest commercialization in Duel in Sun. It is raw, sex-laden, western pulp fiction, told in 10-20-30 style. The star lineup is impressive. Vastness of the western locale is splendidly displayed in color by mobile cameras. Footage is overwhelmingly expansive, too much so at times considering its length.

Single scenes that stand out include Jennifer Jones’ peril in riding bareback on a runaway horse, filmed against the vast scope of the western scene; Gregory Peck’s taming of a sex-maddened stallion; the tremendous sweep of hundreds of mounted horsemen riding to do battle with the invading railroad.

King Vidor’s direction keeps the playing in step with production aims. He pitches the action to heights in the top moments and generally holds the overall mood desired. Sharing director credit on the mass sequences are Otto Brower and Reaves Eason.

Plot, suggested by a novel by Niven Busch, adapted by Oliver H. P. Garrett, concerns a half-breed girl who goes to the ranch of a Texas cattle baron to live after her father has killed her adulterous mother and lover. The baron’s two sons fall for her but the unrestrained younger one captures her emotions. So strong is physical desire that he murders one man who wants to marry her and tries to kill the brother, shown in latter attempts to make the girl a lady.

Jones as the half-breed proves herself extremely capable in quieter sequences but is overly meller in others. Same is true of Peck as the virile younger Texan raised to love ’em and leave ’em. Contrasting is Joseph Cotten as the older son. Role in his hands is believable and never overdrawn.

1946: Nominations: Best Actress (Jennifer Jones), Supp. Actress (Lillian Gish)

Duel in the Sun

Production

Selznick. Director King Vidor; Producer David O. Selznick; Screenplay David O. Selznick; Camera Lee Garmes, Hal Rosson, Ray Rennahan; Editor Hal C. Kern; Music Dimitri Tiomkin; Art Director J. McMillan Johnson

Crew

(Color) Available on VHS, DVD. Extract of a review from 1946. Running time: 134 MIN.

With

Jennifer Jones Gregory Peck Joseph Cotten Lionel Barrymore Lillian Gish Walter Huston
Want to read more articles like this one? SUBSCRIBE TO VARIETY TODAY.
Post A Comment 0

Leave a Reply

No Comments

Comments are moderated. They may be edited for clarity and reprinting in whole or in part in Variety publications.

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

More Film News from Variety

Loading