David O. Selznick devised unique production values for this Alfred Hitchcock-directed version of a psychological mystery novel [The House of Dr ed wardes, written by Hilary St George Saunders].
The story, employing as it does psychiatry and psychoanalysis in a murder mystery, would not lend itself for anything but a skillfully blended top budget production.
Gregory Peck, suffering from amnesia, believes that he committed a murder but has no memory of the locale or circumstances surrounding the crime. Ingrid Bergman as a psychiatrist in love with Peck tries desperately to save him from punishment for the crime she is certain he could not have committed, and in doing so risks her career and almost her life.
Salvador Dali designed the dream sequence with all the aids of futurism and surrealism in his sets. The sets, chairs and tables have human legs and roofs slope at 45-degree angles into infinity.
Alfred Hitchcock handles his players and action in suspenseful manner and, except for a few episodes of much scientific dialogue, maintains a steady pace in keeping the camera moving.
1945: Best Score for a Dramatic Picture.
Nominations: Best Picture, Director, Supp. Actor (Michael Chekhov), B&W Cinematography, Special Effects