Review: ‘Summer Storm’

Summer Storm is a carefully made drama of people and passion adapted from a Chekhov drama [The Shooting Party].

Summer Storm is a carefully made drama of people and passion adapted from a Chekhov drama [The Shooting Party].

Russian background of the Kharkov district displays intimate study in contrasts of various persons – local judge, George Sanders; young and impetuous siren, Linda Darnell, who’s determined to have wealth and finery; flustery and decadent Edward Everett Horton, land-owning aristocrat; estate superintendent, Hugo Haas; and Anna Lee, engaged to Sanders. All become engulfed in tragedy when Darnell marries Haas and immediately embarks on an affair with Sanders, while slyly playing Horton for the finery and jewels he can supply.

Darnell is spotlighted with her particularly effective performance. Sanders is excellent, sharing supporting prominence with Horton, Lori Lahner scores as the maid who protects Sanders’ secret; Lee, Haas, and John Philliber are strong in support.

Script, with adaptation credited to Michael O’Hara, is particularly effective despite details of characters and carefully-etched situations which consume plenty of footage and tend to slow up the tempo.

1944: Nomination: Best Scoring of a Dramatic Picture

Summer Storm


United Artists. Director Douglas Sirk; Producer Seymour Nebenzal; Screenplay Rowland Leigh, Robert Thoeren; Camera Archie J. Stout; Editor Gregg Tallas; Music Karl Hajos; Art Director Rudi Feld


(B&W) Available on VHS. Extract of a review from 1944. Running time: 103 MIN.


George Sanders Linda Darnell Anna Lee Edward Everett Horton Hugo Haas Lori Lahner
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