All the best players under Griffith's command are in this feature at one time or another. In illustrating the effect of the immortal song, together with the early life and death of the author of it, along with an allegory of the great good the lyric has accomplished, the scenario writers delved into love and the Wild West.

All the best players under Griffith’s command are in this feature at one time or another. In illustrating the effect of the immortal song, together with the early life and death of the author of it, along with an allegory of the great good the lyric has accomplished, the scenario writers delved into love and the Wild West.

The first reels are devoted to John Howard Payne, showing him to have written the song in a foreign land, dying shortly after. The next episode is a western mining camp, to which comes a young easterner, who falls in love. They become engaged; the easterner is called back home; his love for a young woman of his own set is rekindled; he returns to the camp, and leaves without seeing Mary, but on his way back is stopped by an organ grinder playing ‘Home Sweet Home’.

In the third episode, a wife about to become unfaithful to her husband is stopped by the music of a violin above her apartment playing the strain, and she travels thereafter in the dutiful path.

Home Sweet Home

Production

Reliance. Dir D.W. Griffith; Screenplay D.W. Griffith, H.E. Aitken; Camera Billy Bitzer; Editor James E. Smith, Rose Smith

Crew

Silent. (B&W) Available on VHS. Extract of a review from 1914. Running time: 90 MIN.

With

Henry B. Walthall Lillian Gish Dorothy Gish Mae Marsh Donald Crisp Blanche Sweet

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